mon 22/09/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Let's Stomp - Merseybeat and Beyond

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Music Reissues Weekly: Heavenly - Le Jardin de Heavenly

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Music Reissues Weekly: Folk, Funk & Beyond - The Arrangements Of John Cameron

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Album: Shirley Collins - Archangel Hill

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Father John Misty sings Scott Walker, Barbican review - edging towards the supernatural

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Music Reissues Weekly: Cock Sparrer - The Decca Years

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Tallinn Music Week 2023 review - when music is unavoidably the language of freedom

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Music Reissues Weekly: Cherry Stars Collide, Waves of Distortion

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Album: BC Camplight - The Last Rotation of Earth

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Die Verlierer, New River Studios review - Berlin punks instantly find an audience at their UK debut

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Music Reissues Weekly: Tony Rivers - Move A Little Closer: The Complete Recordings 1963-1970

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Music Reissues Weekly: Loma Northern Soul

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theartsdesk Q&A: musician Susanne Sundfør - ‘Blómi is a message of hope for whoever might need it’

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Album: Susanne Sundfør - Blómi

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Music Reissues Weekly: Joe Meek And The Blue Men - I Hear A New World Sessions

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Music Reissues Weekly: Pharoah Sanders Quartet - Live at Fabrik Hamburg 1980

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latest in today

'We are bowled over!' Thank you for your messages... ...
Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...