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Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Patrick Stewart gets pointed at theatre awards

Sunday, 14 February 2010 Read more...

Jerusalem: next stop Broadway - but when?

Wednesday, 03 February 2010 Read more...

Waiting For Godot, Theatre Royal Haymarket

Thursday, 28 January 2010 Read more...

The Little Dog Laughed, Garrick Theatre

Thursday, 21 January 2010 Read more...

The Boys Are Back

Monday, 18 January 2010 Read more...

Legally Blonde, Savoy Theatre

Wednesday, 13 January 2010 Read more...

It's Complicated

Wednesday, 06 January 2010 Read more...

Theatre 2009-10: Looking Back and Ahead

Sunday, 03 January 2010 Read more...

Did You Hear About the Morgans?

Tuesday, 29 December 2009 Read more...

Rope, Almeida Theatre

Thursday, 17 December 2009 Read more...

Nine

Wednesday, 16 December 2009 Read more...

Sweet Charity, Menier Chocolate Factory

Thursday, 03 December 2009 Read more...

Cat on a Hot Tin Roof, Novello Theatre

Tuesday, 01 December 2009 Read more...

Mr Right

Thursday, 26 November 2009 Read more...

The Line, Arcola Theatre

Tuesday, 24 November 2009 Read more...

Cock, Royal Court Theatre Upstairs

Thursday, 19 November 2009 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 2 review - nine premieres, three...

Actually it was a Thursday evening to Saturday experience, but what riches in seven concerts. The only Britten I heard was one of the S...

F1: The Movie review - Brad Pitt rolls back the years as mav...

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Bleak landscapes and banjos: composer Bernard Hughes discus...

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on...

Album: Bruce Springsteen - Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with Born in the USA. After all, it was –...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Album: BC Camplight - A Sober Conversation

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...