mon 22/07/2019

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Making Noise Quietly review - poetic if occasionally precious

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Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

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Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy script

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The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pill

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the end of history ..., Royal Court review - raises more questions than it answers

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Present Laughter, Old Vic review - Andrew Scott continues his rise and rise

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The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better

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While the Sun Shines, Orange Tree Theatre review - frothy, yes, up to a point

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Late Night review - Emma Thompson star vehicle needs a serious rewrite

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San Francisco Ballet, Liang/Marston/Pita, Sadler's Wells - elemental, ethereal and kitschy, too

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The Starry Messenger, Wyndham's Theatre review - Matthew Broderick gets all cosmic

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User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thought

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Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepower

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The Last Temptation of Boris Johnson, Park Theatre review - unwieldy at times but undeniably funny, too

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Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force

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Red Joan review - Judi Dench can't lift lumbering espionage drama

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latest in today

Prom 3, CBeebies: A Musical Trip to the Moon review - a cele...

This year’s Proms for children were entitled “Off to the Moon...

Helen Schjerfbeck, Royal Academy review - watchful absences...

Light creeps under the church door. Entering as a slice of burning white, it softens and blues into the stone interior, seeming to make the walls...

Lights, Camera, Malta!, BBC Concert Orchestra, Malta review...

With sapphire blue waters, year-round sun and architecture that spans centuries and cultures, it’s little wonder than Malta is a favourite...

CD: School Of Language - 45

Finding snapshots to characterise Donald Trump’s US...

Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Boh...

Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between...

Vic Marks: Original Spin review - trouble in Taunton

In cricket, timing is everything. Played a fraction early and that...

Reissue CDs Weekly: Peter Laughner

“As much as I love New York City, it’s all too obvious that Cleveland is about to become the musical focal point that the Big Apple has been on...

Gossip, SWG3, Glasgow - a reunion tour worth celebrating

If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front...

Making Noise Quietly review - poetic if occasionally preciou...

Robert Holman’s 1986 Bush Theatre play – seen most recently in London at the Donmar Warehouse in 2012 – makes for a beautifully acted curio of a...

Prom 1, BBCSO, Canellakis review - space-age First Night

A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the...