mon 07/10/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Years, Almeida Theatre review - matchless acting quintet makes for a must-see

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The Baker's Wife, Menier Chocolate Factory review - loving reappraisal doesn't entirely, well, rise

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Starlight Express, Troubadour Wembley Park Theatre review - freight is kinda great

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Romeo and Juliet, Duke of York's Theatre review - doomy and deathly, and much-hyped

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Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

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Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarre

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Power of Sail, Menier Chocolate Factory review - alternately stiff and startling

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Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominates

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Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice

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Wicked Little Letters review - sweary, starry film is mostly strange

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An Enemy of the People, Duke of York's Theatre - performative and predictable

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The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth

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Dear Octopus, National Theatre - period rarity is a real pleasure

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Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedy

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The Color Purple review - sensational second time round for Alice Walker's novel on screen

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Best of 2023: Theatre

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latest in today

Juno and the Paycock, Gielgud Theatre review - a shockingly...

"Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience – usually his sidekick, Joxer. There is a theatricality...

Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall,...

Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the...

Angry and Young, Almeida Theatre review - vigorous and illum...

Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama –...

Blond Eckbert, English Touring Opera review - dark deeds afo...

Judith Weir’s Blond Eckbert, presented by English Touring Opera...

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...

As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...

The Marrriage of Figaro, Opera Project, Tobacco Factory, Bri...

The Marriage of Figaro is undoubtedly one of the greatest operas ever written....

Album: Permafrost - The Light Coming Through

While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk...

Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...

Joan, ITV1 review - the roller-coaster career of a 1980s jew...

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....