mon 21/01/2019

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Beautiful Boy review - well-acted but a slog

Read more...

Coming Clean, Trafalgar Studios review - Kevin Elyot play has lost the pathos if not the plot

Read more...

Pinters Five and Six, Harold Pinter Theatre review - superlatively acted esoterica

Read more...

Life Itself review - epically vapid

Read more...

Best of 2018: Theatre

Read more...

Sweat, Donmar Warehouse review - America at once fractured and fractious

Read more...

The Tell-Tale Heart, National Theatre review - bloody good fun as well as bloody

Read more...

The Double Dealer, Orange Tree Theatre review - high spirits and low morals

Read more...

True West, Vaudeville Theatre review - sizzling take on seminal Sam Shepard

Read more...

Pinters Three and Four, Harold Pinter Theatre review - double bill boasts double acts to treasure

Read more...

Still No Idea, Royal Court review - spiky, funny, and politically pointed

Read more...

The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant

Read more...

Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight form

Read more...

Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial sting

Read more...

The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art

Read more...

Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home

Read more...

Pages

latest in today

Nolan: Australia's Maverick Artist, BBC Four review – a...

Reckless, unstoppable, one step ahead of everyone else, a hell of a lot of fun, utterly charming, street smart – descriptions of the artist Sidney...

Van Woerkum, BBCPO, Gernon, Bridgewater Hall, Manchester rev...

In contrast to a classic film soundtrack played live with the film, the idea in "symphonic cinema" is that the music, and its interpretation, come...

Daniel Sloss, Leicester Square Theatre review - toxic mascul...

Daniel Sloss's latest show is called X, to denote his 10th show. The Scottish comic started in comedy as a teenager in 2009 when a lot of...

CD: Kikok - Sauna

Russian trio Gnoomes have created small waves over the last...

Black Lake, Series 2 Finale, BBC Four review - Swedish chill...

A bunch of young-ish people stuck in a rambling house in the middle of nowhere, a hatchet-faced senior citizen guarding a hoard of...

Reissue CDs Weekly: Charles Mingus

Releases dedicated to previously unisssued live recordings can be tricky. The variables at play don’t necessarily ensure that what’s in the shops...

CD: The Twilight Sad - It Won/t Be Like This All The Time

The disappearance of a band for a while calls for a re-set. A reminder, perhaps, of why you fell for them in the first...

Bang on a Can All-Stars, Kings Place review - a kaleidoscope...

Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why...

theartsdesk Q&A: Hedvig Mollestad, Norway's bridge...

Norway’s Hedvig Mollestad Trio reset the dial to what...