wed 30/09/2020

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Broken Hearts Gallery review - effortfully entertaining

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Rose, Hope Mill Theatre online review - a performer at her peak

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Get Duked! review - briefly endearing, then a chore

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Declan, Traverse Theatre online review - compressed and compelling

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Chemical Hearts review - turn off the sound

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A Little Night Music, Opera Holland Park review - wasn't it bliss?

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Theatre Unlocked 4: Shows in concert and a contemporary classic comes to TV

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Perfect 10 review - a small movie with a big heart

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Imagine... My Name is Kwame, BBC One review - interesting but incomplete

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Theatre Unlocked 3: Signs of activity after a long siesta

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Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it began

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Good Manners review - compellingly eerie

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Theatre Unlocked 1: George Floyd remembered, a classic transformed, and a call to action re climate change

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Love Sarah review - missing key ingredients

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Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rattigan, and a Dame or two in conversation

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Back Roads review - nice cheekbones, not much else

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latest in today

Album: Melanie C - Melanie C

There’s a lot to like about Melanie Chisholm. She was always the Spice Girl who came over as most genuine and down to earth – not to mention the...

Album: Melanie C - Melanie C

There’s a lot to like about Melanie Chisholm. She was always the Spice Girl who came over as most genuine and down to earth – not to mention the...

Bach’s The Art of Fugue, Angela Hewitt, Wigmore Hall – the m...

How do they do it? Bach and Angela Hewitt, I mean, transfixing and...

Bob Woodward: Rage review - terror and tyranny in the White...

“Build the wall!” exhorted Trump, at rally after rally back in the days when we’d all acknowledged his moral repugnancy but still believed he...

Blu-ray: Beau Travail

This fifth feature from...

Ottessa Moshfegh: Death in Her Hands review - a case of murd...

Death in Her Hands was a forgotten manuscript, the product of a...

Sudhir Hazareesingh: Black Spartacus review – the life, and...

The former slave, and coachman on a sugar plantation, began one of his early public proclamations in a typically defiant vein: “I am Toussaint...

Ian Williams: Reproduction review - a dazzling kaleidoscope...

Ian Williams’s writing is always in motion. For his 2012 poetry...

Academy of St Martin in the Fields review - from solo medita...

Clearly it takes peculiar circumstances for some of us to hear the Academy of St Martin in the Fields within its eponymous church – that’s a first...

Emma Cline: Daddy review - scintillating short stories by th...

The Girls, Emma Cline’s acclaimed debut novel of 2016, was billed as a story based on the Manson murders. But in fact, like some of the...