Matt Wolf
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.
Articles By Matt Wolf
latest in today
Blue Lights Series 2, BBC One review - still our best cop sh...
The first season of Blue Nights was so close to ...
Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...
Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...
Stephen review - a breathtakingly good first feature by a mu...
Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...
Jonn Elledge: A History of the World in 47 Borders review -...
In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...
DVD/Blu-Ray: Priscilla
There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...
Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...
Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...
Banging Denmark, Finborough Theatre review - lively but conf...
What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...
Album: Fred Hersch - Silent, Listening
The previous solo piano solo album from Fred Hersch, one of the world’s great...
Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...
Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...
London Tide, National Theatre review - haunting moody river...
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...