fri 17/01/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Declan, Traverse Theatre online review - compressed and compelling

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Chemical Hearts review - turn off the sound

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A Little Night Music, Opera Holland Park review - wasn't it bliss?

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Theatre Unlocked 4: Shows in concert and a contemporary classic comes to TV

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Perfect 10 review - a small movie with a big heart

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Imagine... My Name is Kwame, BBC One review - interesting but incomplete

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Theatre Unlocked 3: Signs of activity after a long siesta

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Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it began

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Good Manners review - compellingly eerie

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Theatre Unlocked 1: George Floyd remembered, a classic transformed, and a call to action re climate change

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Love Sarah review - missing key ingredients

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Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rattigan, and a Dame or two in conversation

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Back Roads review - nice cheekbones, not much else

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Theatre Lockdown Special 12: An American rarity, a British savoury, and fresh Apples

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Theatre Lockdown Special 11: Shakespeare-as-rave, a starlit Old Vic, and, yes, those singing nuns

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Theatre Lockdown Special 10: Epic plays from the National Theatre and Broadway alongside voices raised in protest

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A Complete Unknown review - how does it feel?

Being unknowable has been almost as much of a preoccupation for the erstwhile Robert Zimmerman as writing songs. Previously on film he has played...

Love Life, Opera North review - Lerner and Weill's blas...

The past is a foreign country: they do things differently there. But in Love Life, Kurt Weill and Alan Jay Lerner’s...

Vermiglio review - a simple tale, simply but beautifully tol...

Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a...

Album: Kele - The Singing Winds Pt. 3

Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand...

Simón Bolívar Symphony Orchestra, Dudamel, Barbican review -...

Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s...

Jenůfa, Royal Opera review - electrifying details undermined...

This was always going to be Jakub Hrůša’s night, his first at the...

German National Orchestra, Marshall, Cadogan Hall review - s...

This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth Orchestra), all of...

Chris McCausland, Winchester Theatre Royal review - Strictly...

By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...

Album: The Weather Station - Humanhood

Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...