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Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?

Friday, 29 November 2019 Read more...

White Christmas, Dominion Theatre review - breezy but bland

Thursday, 28 November 2019 Read more...

Harriet review - potentially stirring biopic proves a slog

Saturday, 23 November 2019 Read more...

The Antipodes, National Theatre review - mysterious and gently momentous

Wednesday, 06 November 2019 Read more...

Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Thursday, 24 October 2019 Read more...

Vassa, Almeida Theatre review - delayed opening doesn't land

Wednesday, 23 October 2019 Read more...

Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

Friday, 11 October 2019 Read more...

Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

Thursday, 10 October 2019 Read more...

Judy review - Renée Zellweger's bravura screen comeback

Friday, 04 October 2019 Read more...

'Master Harold' ... and the Boys, National Theatre review - timelessly moving

Wednesday, 02 October 2019 Read more...

Ready or Not review - bloody awful

Saturday, 28 September 2019 Read more...

Big the Musical, Dominion Theatre review - sweet if wildly overstretched

Wednesday, 18 September 2019 Read more...

Amsterdam, Orange Tree Theatre review - suffocatingly mannered

Saturday, 14 September 2019 Read more...

The View UpStairs, Soho Theatre review - well-intentioned but needs a rewrite

Wednesday, 24 July 2019 Read more...

Making Noise Quietly review - poetic if occasionally precious

Saturday, 20 July 2019 Read more...

Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

Friday, 12 July 2019 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...