fri 29/08/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Harriet review - potentially stirring biopic proves a slog

Read more...

The Antipodes, National Theatre review - mysterious and gently momentous

Read more...

Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Read more...

Vassa, Almeida Theatre review - delayed opening doesn't land

Read more...

Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

Read more...

Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

Read more...

Judy review - Renée Zellweger's bravura screen comeback

Read more...

'Master Harold' ... and the Boys, National Theatre review - timelessly moving

Read more...

Ready or Not review - bloody awful

Read more...

Big the Musical, Dominion Theatre review - sweet if wildly overstretched

Read more...

Amsterdam, Orange Tree Theatre review - suffocatingly mannered

Read more...

The View UpStairs, Soho Theatre review - well-intentioned but needs a rewrite

Read more...

Making Noise Quietly review - poetic if occasionally precious

Read more...

Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

Read more...

Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy script

Read more...

The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pill

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk Q&A: Suranne Jones on 'Hostage', p...

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

Interview, Riverside Studios review - old media vs new in sp...

The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;...

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill d...

This edition of Peter Culshaw’s peripatetic...

Little Trouble Girls review - masterful debut breathes new l...

Taking its title from a Sonic Youth track whose lyrics describe someone who seems good on the outside but is bad inside, this debut...

Young Mothers review - the Dardennes explore teenage motherh...

“Not even an animal would do what she did.” Jessica (Babette Verbeek) is speaking about her biological mother, who abandoned her when she was a...

Album: CMAT - EURO-COUNTRY

Queen of the earworm Ciara Mary-Alice Thompson has had quite the summer, capturing imaginations and sparking indignation. The brazen hussy has the...

BBC Proms: The Marriage of Figaro, Glyndebourne Festival rev...

One door closes, and another one opens. A lot. It’s extraordinary what value those two simple additions to the Royal Albert Hall stage lent to...

Fat Ham, RSC, Stratford review - it's Hamlet Jim, but n...

$8.2B. That’s what can happen when you re-imagine ...

King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...