tue 29/11/2022

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pill

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the end of history ..., Royal Court review - raises more questions than it answers

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Present Laughter, Old Vic review - Andrew Scott continues his rise and rise

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The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better

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While the Sun Shines, Orange Tree Theatre review - frothy, yes, up to a point

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Late Night review - Emma Thompson star vehicle needs a serious rewrite

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San Francisco Ballet, Liang/Marston/Pita, Sadler's Wells - elemental, ethereal and kitschy, too

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The Starry Messenger, Wyndham's Theatre review - Matthew Broderick gets all cosmic

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User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thought

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Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepower

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The Last Temptation of Boris Johnson, Park Theatre review - unwieldy at times but undeniably funny, too

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Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force

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Red Joan review - Judi Dench can't lift lumbering espionage drama

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At Eternity's Gate review - Willem Dafoe excels in hyperactive biopic

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Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh

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Downstate, National Theatre review - controversial but also clear-eyed and compassionate

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latest in today

Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe...

The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open...

Arms and the Man, Orange Tree Theatre review - a rollicking...

For his final bow as artistic director of the...

Justin Adams & Mohamed Errebbaa, The Jam Jar, Bristol re...

Justin Adams has been exploring music that produces trance or near-trance states for a number of years. Along with being Robert Plant’s lead...

theartsdesk Radio Show 34 - with post-punk visionary Lu Edmo...

Welcome to the latest edition of Peter Culshaw’s occasional radio show, which normally has a global music focus. This week’s guest for...

Park Jiha, Stone Nest, K-Music - timeless evocative East-Wes...

Even those with the most tangential connection to pop music will be aware that K-Pop is all conquering, and the likes of BTS and BlackPink are on...

Blu-ray: Son of the White Mare

Son of the White Mare (Fehérlófia), a 1981 Hungarian...

Remembering Wilko: unforgettable encounters with the Dr Feel...

Looking back on the most exciting, atmospheric and musically challenging gigs I’ve seen to date, there are several contenders in each category....

An open letter from Dame Sarah Connolly and colleagues to Ar...

The decision of Arts Council England to withdraw funding from the...

Matilda the Musical review - a dizzying, smartly subversive...

I bow to no one in my affection for Matilda the Musical onstage, which I've loved across multiple iterations, from Stratford-upon-Avon to...

Baghdaddy, Royal Court review - Middle-Eastern magic realism

What is the best way of talking about the Middle East? Should plays take a documentary or verbatim approach, all the better to educate and inform...