thu 23/01/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Wild, Hampstead Theatre online review - timelier than anticipated

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Sondheim at 90: adults will listen

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Love, Love, Love, Lyric Hammersmith review - a stinging revival

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On Blueberry Hill, Trafalgar Studios review - superb acting, specious plot

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Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actually

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Be More Chill, The Other Palace review - more exhausting than enlightening

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A Number, Bridge Theatre review - a dream team dazzles anew

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The Visit, National Theatre review - star turn bolsters baggy rewrite

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Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessible

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Oscars 2020: a 'Parasite' love-in caps a night of firsts

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Albion, Almeida Theatre review - more rewarding and resonant than ever

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Plus One review - charm, yes, but irritation too

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The Sunset Limited, Boulevard Theatre review - all talk, no theatre

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You Stupid Darkness!, Southwark Playhouse review - an intriguing muddle

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Best of 2019: Theatre

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Curtains, Wyndham's Theatre review - unexpectedly giddy fun

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Prime Target, Apple TV+ review - the appliance of science

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...

Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...

Amelia Coburn, Komedia, Brighton review - short set from ris...

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...

The Brutalist review - we're building to something

There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a...

Album: FKA Twigs - Eusexua

It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that...

Out There, ITV1 review - drugs and thugs disfigure the Welsh...

If nothing else, ITV’s new thriller Out There is a fabulous advertisement for the Welsh countryside. Many scenes were shot in Brecon and...

William Tell review - stirring action adventure with silly d...

Despite Rossini’s banger of an overture and a Looney Tunes cartoon starring Daffy Duck as William Tell, I’ll wager that few non-German-speakers...

Album: Tunng - Love You All Over Again

This is Tunng’s ninth album, their first in five years, and marks their 20th anniversary by consciously going full circle to the...

Tiffin Youth Choir, London Philharmonic Orchestra and Chorus...

When Vladimir Jurowski planned this typically unorthodox programme, he could not have known that a disaster even greater, long-term, than 9/11 was...