sat 20/09/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Get Up, Stand Up!, Lyric Theatre review - knockout performance, undercooked book

Read more...

White Noise, Bridge Theatre review - provocative if not always plausible

Read more...

Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up

Read more...

Carousel, Regent's Park Open Air Theatre review - brave rewrite doesn't land

Read more...

Anything Goes, Barbican review - an explosion of joy

Read more...

Limbo review - quiet but voluble

Read more...

Bagdad Café, Old Vic review - sweet but scattershot

Read more...

Off the Rails review - go for the scenery, not the script

Read more...

French Exit review - Michelle Pfeiffer faces mortality

Read more...

J'Ouvert, Harold Pinter Theatre review - formless yet fabulous

Read more...

Under Milk Wood, National Theatre review - Michael Sheen at his most magnetic

Read more...

In the Heights review - to life, Lin-Manuel Miranda-style

Read more...

Anne Boleyn, Channel 5 review - whispery and weepy

Read more...

Surge review - jittery and joyless

Read more...

Trying, Apple TV+ review - the road to parenthood takes a fresh path

Read more...

Rare Beasts review - Billie Piper as triple threat

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Album: Robert Plant - Saving Grace

Robert Plant is magnificently well-equipped to shine as musical survivor: not only has his voice kept its magic, with a range from sensual caress...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...

Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...