fri 23/08/2019

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Red Joan review - Judi Dench can't lift lumbering espionage drama

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At Eternity's Gate review - Willem Dafoe excels in hyperactive biopic

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Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh

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Downstate, National Theatre review - controversial but also clear-eyed and compassionate

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The Bay at Nice, Menier Chocolate Factory review - David Hare talkfest takes intermittent wing

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Admissions, Trafalgar Studios review - topical and whiplash-smart

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Waitress, Adelphi Theatre review - sweet if sometimes silly musical arrives from Broadway

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Oscars 2019: Olivia Colman crowned queen of Hollywood

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Old Boys review - short but not especially sweet

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Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwrought

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Shipwreck, Almeida Theatre review - Trump-inflected fantasia mixes the polemical and the poetic

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Come From Away, Phoenix Theatre review - a necessary corrective to our traumatic times

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9 to 5 the Musical review - Dolly Parton's film returns as retooled version of a Broadway flop

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A Private War review - Rosamund Pike burns with passion in well-meaning biopic

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All About Eve, Noel Coward Theatre review - less a bumpy night than an erratically arresting one

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All Is True review - all's well doesn't end well in limp Shakespeare biopic

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latest in today

CD: Tanya Tucker - While I'm Livin'

When Johnny Cash and Rick Rubin released the former’s stripped back, soul-bearing American Recordings in 1994 the impact was massive. Not...

Edinburgh International Festival 2019: Breaking the Waves, S...

Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving in a succession of...

Bauhaus 100, BBC Four review - a well-made film about the ma...

The Bauhaus school and its subsequent influence make an extraordinary story, and this...

Eels, Hammersmith Apollo review – dark, swampy and endlessly...

"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's...

CD: Sleater-Kinney - The Center Won't Hold

This album’s title began as a reaction to fractiousness under...

Heartbreak Holiday, BBC One review - can it match up to Love...

The BBC’s version of Love Island has familiar ingredients:...

Pain and Glory review - masterful meditation on age and art

The Almodovar who made his name as an all-out provocateur in the Eighties considers that wild art’s becalmed far...

The Doctor, Almeida Theatre review - Robert Icke's long...

After six years, associate director Robert Icke bids farewell to the...