Matt Wolf
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.
Articles By Matt Wolf
latest in today
Music Reissues Weekly: Peter Baumann - Phase by Phase: The V...
When the first solo album by Tangerines Dream’s Peter Baumann was released in the US in 1977, its promotion was striking. Press advertising (...
theartsdesk Q&A: conductor Dalia Stasevska on her new al...
Dalia Stasevska is a persuasive advocate for new music, as presented on her new album Dalia’s Mixtape. She combines a puppyish enthusiasm...
Album: Lee Scratch Perry & Youth - Spaceship to Mars
Lee “Scratch” Perry, Reggae’s dub emperor and all-round sound magician died in 2021, after a 60-odd year career that is rumoured to have produced...
Paradise Is Burning review - O mother, where art thou?
Paradise Is Burning is one of those films that appears to be designed to convince the outside world that Sweden isn’t all IKEA interiors...
Prom 52, Carmen, Glyndebourne Festival review - fine-tuning...
If you ever doubted that Bizet’s Carmen, 150 years young next year, is one of the greatest operas of all time, this performance would...
Sing Sing review - prison movie with an abundance of heart
Every actor has their own take on what acting means to them, which will...
Black Dog review - a drifter in China
We root for the rootless Outsider in classical western cinema because the places the Outsider fetches up in are scary dumps of the first...
Album: Mercury Rev - Born Horses
After the client has settled on the analyst’s couch, the lights are dimmed. Music sets the mood. A wordless vocal is accompanied by chimes. Cool...
Prom 50, Fujita, Czech Philharmonic, Hrůša review - revelati...
Namedrop first: it was Charles Mackerras who introduced me to the music of Vítězslava Kaprálová, lending me a CD with...