mon 25/08/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Imagine... My Name is Kwame, BBC One review - interesting but incomplete

Read more...

Theatre Unlocked 3: Signs of activity after a long siesta

Read more...

Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it began

Read more...

Good Manners review - compellingly eerie

Read more...

Theatre Unlocked 1: George Floyd remembered, a classic transformed, and a call to action re climate change

Read more...

Love Sarah review - missing key ingredients

Read more...

Theatre Lockdown Special 13: Early Lloyd Webber, vintage Rattigan, and a Dame or two in conversation

Read more...

Back Roads review - nice cheekbones, not much else

Read more...

Theatre Lockdown Special 12: An American rarity, a British savoury, and fresh Apples

Read more...

Theatre Lockdown Special 11: Shakespeare-as-rave, a starlit Old Vic, and, yes, those singing nuns

Read more...

Theatre Lockdown Special 10: Epic plays from the National Theatre and Broadway alongside voices raised in protest

Read more...

Theatre Lockdown Special 9: Alan Bennett revisited, and so is Oz

Read more...

Banana Split review - likable if essentially timid romcom

Read more...

Theatre Lockdown Special 8: A film star plays tough, and several familiar titles are examined anew

Read more...

Theatre Lockdown Special 7: Party politics and a Broadway titan or two

Read more...

Theatre Lockdown Special 6: A prolific playwright, a timeless play, and speeches galore

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...