thu 22/08/2019

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Last Word film review - Shirley MacLaine's spit and vinegar remain intact

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

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Gloria, Hampstead Theatre review – pretty glorious

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Hampstead review - Diane Keaton deserves better and so does London

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My Cousin Rachel review - du Maurier remake too florid by half

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Annie review - a 12-year-old star is born

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Lettice and Lovage, Menier Chocolate Factory review - Peter Shaffer's star vehicle sags

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The Secret Scripture review - Jim Sheridan's turgid homecoming

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Occupational Hazards, Hampstead Theatre review - vivid outline in search of a fuller play

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Angels in America, National Theatre review - Andrew Garfield and company soar in seismic revival

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A Quiet Passion, review - 'Cynthia Nixon is an indrawn Emily Dickinson'

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42nd Street, Theatre Royal Drury Lane, review - 'sheer synchronised splendour'

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The Salesman

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Rosencrantz and Guildenstern Are Dead, Old Vic

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Oscars 2017: Moonlight and La La Land go toe to toe

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Speech & Debate, Trafalgar Studios

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Pages

latest in today

Edinburgh International Festival 2019: Breaking the Waves, S...

Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving in a succession of...

Bauhaus 100, BBC Four review - a well-made film about the ma...

The Bauhaus school and its subsequent influence make an extraordinary story, and this...

Eels, Hammersmith Apollo review – dark, swampy and endlessly...

"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's...

CD: Sleater-Kinney - The Center Won't Hold

This album’s title began as a reaction to fractiousness under...

Pain and Glory review - masterful meditation on age and art

The Almodovar who made his name as an all-out provocateur in the 80s considers that wild art’s becalmed far side...

The Doctor, Almeida Theatre review - Robert Icke's long...

After six years, associate director Robert Icke bids farewell to the...

CD: Gard Nilssen Acoustic Unity - To Whom Buys a Record

To Whom Buys a Record roams through 12 crisply recorded pieces confirming that...

Heartbreak Holiday, BBC One review - can it match up to Love...

The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island...