mon 13/01/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned mess

Read more...

Ordinary Love review - small but (almost) perfectly formed

Read more...

The Boy Friend, Menier Chocolate Factory review - fun but featherweight

Read more...

The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?

Read more...

White Christmas, Dominion Theatre review - breezy but bland

Read more...

Harriet review - potentially stirring biopic proves a slog

Read more...

The Antipodes, National Theatre review - mysterious and gently momentous

Read more...

Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Read more...

Vassa, Almeida Theatre review - delayed opening doesn't land

Read more...

Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

Read more...

Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

Read more...

Judy review - Renée Zellweger's bravura screen comeback

Read more...

'Master Harold' ... and the Boys, National Theatre review - timelessly moving

Read more...

Ready or Not review - bloody awful

Read more...

Big the Musical, Dominion Theatre review - sweet if wildly overstretched

Read more...

Amsterdam, Orange Tree Theatre review - suffocatingly mannered

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...

Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...

The Maids, Jermyn Street Theatre review - new broom sweeps c...

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...

Gala Preview Show, De Montfort Hall review - Leicester Comed...

Europe's biggest comedy festival, which showcases established stars,...

Album: Moonchild Sanelly - Full Moon

Rooted in South African electronic styles such as...

The Second Act review - absurdist meta comedy about stardom

Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...

Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...

Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...

Album: Lambrini Girls - Who Let the Dogs Out

Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist...