sun 13/10/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

White Christmas, Dominion Theatre review - breezy but bland

Read more...

Harriet review - potentially stirring biopic proves a slog

Read more...

The Antipodes, National Theatre review - mysterious and gently momentous

Read more...

Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Read more...

Vassa, Almeida Theatre review - delayed opening doesn't land

Read more...

Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

Read more...

Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

Read more...

Judy review - Renée Zellweger's bravura screen comeback

Read more...

'Master Harold' ... and the Boys, National Theatre review - timelessly moving

Read more...

Ready or Not review - bloody awful

Read more...

Big the Musical, Dominion Theatre review - sweet if wildly overstretched

Read more...

Amsterdam, Orange Tree Theatre review - suffocatingly mannered

Read more...

The View UpStairs, Soho Theatre review - well-intentioned but needs a rewrite

Read more...

Making Noise Quietly review - poetic if occasionally precious

Read more...

Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible

Read more...

Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy script

Read more...

Pages

latest in today

Music Reissues Weekly: Arvo Pärt - Tabula Rasa

In 2022, Spritualized’s Jason Pierce described his musical goal as "trying to find somewhere between Arvo Pärt and The Stooges.” Amongst the most...

The Turn of the Screw, English National Opera review - James...

At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is...

London Film Festival 2024 - the Vatican, the Blitz, a trip t...

Conclave

Director Edward Berger won an...

The Last of the Sea Women review - a moving tale of feisty t...

“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60...

Trouble in Tahiti/A Quiet Place, Linbury Theatre review - to...

Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed...

Album: Justin Adams & Mauro Durante - Sweet Release

Sweet Release opens up a landscape of redemption by riding the rails of a classic ...

First Person: Lindsey Ferrentino on the play that has led Ad...

I turn 36 this year, while living in London and rehearsing my new play The Fear of 13 at the Donmar Warehouse. The cast places a cake on...

Timestalker review – she's lost control again

Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion...

Kanga, Manchester Collective, Singh, RNCM Manchester review...

Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...