wed 04/06/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessible

Read more...

Oscars 2020: a 'Parasite' love-in caps a night of firsts

Read more...

Albion, Almeida Theatre review - more rewarding and resonant than ever

Read more...

Plus One review - charm, yes, but irritation too

Read more...

The Sunset Limited, Boulevard Theatre review - all talk, no theatre

Read more...

You Stupid Darkness!, Southwark Playhouse review - an intriguing muddle

Read more...

Best of 2019: Theatre

Read more...

Curtains, Wyndham's Theatre review - unexpectedly giddy fun

Read more...

Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned mess

Read more...

Ordinary Love review - small but (almost) perfectly formed

Read more...

The Boy Friend, Menier Chocolate Factory review - fun but featherweight

Read more...

The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?

Read more...

White Christmas, Dominion Theatre review - breezy but bland

Read more...

Harriet review - potentially stirring biopic proves a slog

Read more...

The Antipodes, National Theatre review - mysterious and gently momentous

Read more...

Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...