fri 06/06/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Double Dealer, Orange Tree Theatre review - high spirits and low morals

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True West, Vaudeville Theatre review - sizzling take on seminal Sam Shepard

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Pinters Three and Four, Harold Pinter Theatre review - double bill boasts double acts to treasure

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Still No Idea, Royal Court review - spiky, funny, and politically pointed

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The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant

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Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight form

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Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial sting

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The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art

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Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home

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A Star is Born review - Bradley Cooper and Lady Gaga make a compellingly combustible duo

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The Wife review - Glenn Close deserves better from her latest Oscar bid

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Foxfinder, Ambassadors Theatre review - too ponderous by half

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Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture

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The Seagull review - Chekhov classic gets the all-star treatment

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£¥€$ (LIES), Almeida Theatre review - financial frolics at the gaming table

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h 100 Awards: Theatre and Performance - excellence and inclusion across the map

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Songhoy Blues, Hare & Hounds, Birmingham review – West A...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...