wed 11/12/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The York Realist, Donmar Warehouse review - a miniaturist masterpiece

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Dry Powder/Yous Two, Hampstead Theatre review - Hayley Atwell has competition

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Phantom Thread review - Daniel Day-Lewis bows out in style

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All's Well That Ends Well, Sam Wanamaker Playhouse review - feisty, prickly and topical, as well

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Rita, Sue and Bob Too, Royal Court review - iconic 1980s title makes a welcome return

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My Mum's a Twat, Royal Court review - Patsy Ferran shines in a solo play that looks back in anger

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Best of 2017: Theatre

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The Grinning Man, Trafalgar Studios review - cool puppets but too convoluted by half

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Belleville, Donmar Warehouse review - prickly and unnerving

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Cell Mates, Hampstead Theatre review - intriguing yet opaque

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Happy End review - grimly compelling but to what end?

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Wonder review - sweet and smart but sometimes also schmaltzy

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Network, National Theatre review - Bryan Cranston’s searing London stage debut

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Howards End, BBC One review - EM Forster adaptation is finding its footing

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

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Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visuals

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The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

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Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...

Vampire Weekend, OVO Hydro, Glasgow review - a mixture of br...

When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them,...

The Commander review - the good Italian

Patriotic Italian films set during the Fascist war effort are...

Ballet Shoes, Olivier Theatre review - reimagined classic wi...

Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have...