fri 19/09/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Two Noble Kinsmen, Shakespeare's Globe review - a breezy bromance served up slight

Read more...

Translations, National Theatre review - an Irish classic returns with cascading force

Read more...

The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deep

Read more...

Chess, London Coliseum review - powerfully sung but still problematic

Read more...

Nothing Like a Dame review - actresses undimmed by time

Read more...

The Writer, Almeida Theatre review - deconstruction run rampant

Read more...

Beast review - mesmerising and murky in equal measure

Read more...

Strictly Ballroom: The Musical, Piccadilly Theatre review - largely naff

Read more...

Kathleen Turner: Finding My Voice, The Other Palace review - a familiar name in freshly exciting form

Read more...

120 BPM review - stirring portrait of French activism in the age of AIDS

Read more...

Kiss of the Spider Woman, Menier Chocolate Factory review - brilliantly performed and imaginatively staged

Read more...

Caroline, or Change, Hampstead Theatre review - Sharon D Clarke conquers

Read more...

Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning Dane

Read more...

Oscars 2018: The shape of a snoozefest

Read more...

Game Night review - Rachel McAdams is bliss in bonkers comedy thriller

Read more...

The York Realist, Donmar Warehouse review - a miniaturist masterpiece

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...

Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...

Happyend review - the kids are never alright

Perhaps only in Japan might it be thought the height of delinquency for a bunch of schoolkids is to spend the night sneaking back to school,...

Romans: A Novel, Almeida Theatre review - a uniquely extraor...

OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the...

Album: Biffy Clyro - Futique

For the trio of Biffy Clyro, the years since their previous album, 2021’s The Myth Of The Happily...

Robert Redford (1936-2025)

Somehow both rugged and smooth, embodying American values yet often turning up his collar against them, Robert Redford – who died on 16 September...