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Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Why Him?

Monday, 26 December 2016 Read more...

Wild Honey, Hampstead Theatre

Saturday, 10 December 2016 Read more...

She Loves Me, Menier Chocolate Factory

Thursday, 08 December 2016 Read more...

Half A Sixpence, Noel Coward Theatre

Friday, 18 November 2016 Read more...

School of Rock: The Musical, New London Theatre

Wednesday, 16 November 2016 Read more...

Nocturnal Animals

Friday, 04 November 2016 Read more...

The Light Between Oceans

Tuesday, 01 November 2016 Read more...

Howard Davies: An Appreciation

Thursday, 27 October 2016 Read more...

A Pacifist's Guide to the War on Cancer, National Theatre

Friday, 21 October 2016 Read more...

Oil, Almeida Theatre

Monday, 17 October 2016 Read more...

Two Women

Tuesday, 13 September 2016 Read more...

Café Society

Friday, 02 September 2016 Read more...

Groundhog Day, Old Vic

Wednesday, 17 August 2016 Read more...

The Shallows

Friday, 12 August 2016 Read more...

Yerma, Young Vic

Saturday, 06 August 2016 Read more...

Young Chekhov, National Theatre

Thursday, 04 August 2016 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...