wed 11/12/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Young Frankenstein review - Mel Brooks musical is blissfully bonkers

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The Glass Castle review - Woody steals the film by a wide margin

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Home Again review - Reese Witherspoon romcom is divorced from reality

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Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

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Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky script

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Peter Hall: A Reminiscence

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Una review - 'Blackbird' adaptation loses its stage intensity

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h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?

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Maudie review - intriguing and irritating in turn

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Road, Royal Court review - poetry amidst the pain

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Mosquitoes, National Theatre review - Olivias Colman and Williams dazzle amid dramatic excess

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Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller lets rip

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Dessert, Southwark Playhouse review - undercooked and overwrought

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The Beguiled review - silly but seriously well-made

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The Last Word film review - Shirley MacLaine's spit and vinegar remain intact

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

The Christmas album is an American phenomenon that doesn’t...

Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...

Vampire Weekend, OVO Hydro, Glasgow review - a mixture of br...

When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them,...

The Commander review - the good Italian

Patriotic Italian films set during the Fascist war effort are...

Ballet Shoes, Olivier Theatre review - reimagined classic wi...

Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have...