Matt Wolf
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.
Articles By Matt Wolf
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Uprising, Glyndebourne review - didactic community opera sup...
The score is effective, and rewarding to perform, but derivative. The libretto uses every cliché, or truism, about save-the-planet youth activism...
Music Reissues Weekly: Kraftwerk - Autobahn at 50
“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode...
Album: Architects - The Sky, The Earth & All Between
Brighton metallers Architects have weathered various tribulations in their almost 20-year career. Formed by twins Dan and Tom Searle, after...
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...
Bergerac, U&Drama review - the Jersey 'tec is born...
They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...
A Knock on the Roof, Royal Court review - poignant account o...
The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages...
The Last Showgirl review - Pamela Anderson stars as a middle...
Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”,...
The Score, Theatre Royal Haymarket review - curious beast of...
Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words...