tue 16/09/2025

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pill

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the end of history ..., Royal Court review - raises more questions than it answers

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Present Laughter, Old Vic review - Andrew Scott continues his rise and rise

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The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better

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While the Sun Shines, Orange Tree Theatre review - frothy, yes, up to a point

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Late Night review - Emma Thompson star vehicle needs a serious rewrite

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San Francisco Ballet, Liang/Marston/Pita, Sadler's Wells - elemental, ethereal and kitschy, too

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The Starry Messenger, Wyndham's Theatre review - Matthew Broderick gets all cosmic

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User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thought

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Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepower

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The Last Temptation of Boris Johnson, Park Theatre review - unwieldy at times but undeniably funny, too

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Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force

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Red Joan review - Judi Dench can't lift lumbering espionage drama

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At Eternity's Gate review - Willem Dafoe excels in hyperactive biopic

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Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh

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Downstate, National Theatre review - controversial but also clear-eyed and compassionate

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'We are bowled over!' Thank you for your messages... ...
Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...

Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...