mon 24/06/2024

Middlesbrough Institute of Modern Art

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Articles By Middlesbrough Institute Of Modern Art

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Kelly Clancy: Playing with Reality - How Games Shape Our Wor...

For a couple of decades, the free video game America’s Army was a powerful recruitment aid for the US military. More than a shoot-em-up,...

Album: Madeleine Peyroux - Let's Walk

Madeleine Peyroux made her name with her second album, 2004’s Careless Love. It consists almost completely of cover versions, delivered...

Music Reissues Weekly: The Cryin’ Shames - Please Stay, Do T...

Liverpool’s The Cryin’ Shames were responsible for two of mid-Sixties Britain’s most striking single’s tracks. The February 1966 top side “Please...

theartsdesk at Smetanova Litomyšl - three fascinating operas...

What did they put in the water of Czechia’s central Bohemia/Moravia borderlands? From south to north there's Mahler’s birthplace in Kali...

The Exorcism review - salvaged horror movie is a diabolical...

Helpfully, this is a film that reviews itself. Like it says on the posters, “They were making a cursed movie. They were warned not to. They should...

Album: Zara McFarlane - Sweet Whispers: Celebrating Sarah Va...

When Zara McFarlane sang the National Anthem at this year’s FA Cup Final, it served as a reminder of quite how adaptable she is, how suited so...

Green Border review - Europe's baleful boundary

We’re used to dabs of colour splashing briefly across black-and-white movies – Spielberg’s Schindler’s List or Coppola’s Rumble Fish...

Rain Parade, 229 review - the Paisley Underground perennials...

It kicks off with “No Easy Way Down.” First released on 1984’s mini-LP Explosions in the Glass Palace, it was an instant benchmark by...

The Bounds, Royal Court review - soccer play scores badly

Every day this week I’m watching a football match, and now – after April’s production of Lydia Higman, Julia Grogan and Rachel Lemon’s Gunter...