sat 25/01/2020

Steve O'Rourke

Articles By Steve O'Rourke

Rage 2 review – garish but great post-apocalyptic shooter

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World War Z review - bloodthirsty fun with the zombie apocalypse

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The Lego Movie 2 Videogame review - everything is not awesome

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Anthem review - singing praises? More like a cautious nod

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Crackdown 3 review - spectacular super-powered action that was great fun many years ago

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Battlefield V review - WWII on an epic scale

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Fallout 76 review - how to wreck a perfectly good legacy with one messy game

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Red Dead Redemption 2 review - the cowboy drama makes a triumphant return

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Call of Duty: Black Ops 4 review – less is more

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FIFA 19 review - the best just got a bit better

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Marvel's Spider-Man review - fandom fodder at its finest

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h Club 100 Awards: Video games - pioneers with heart and soul

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Jurassic World Evolution review - manage a dinosaur theme park and make a killing

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Detroit: Become Human review – a robot story with real heart

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God of War review - action adventure epic sets new standards

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Far Cry 5 review – forget the story and just go with the flow

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Robert Henke CBM 8032, Barbican - a vision of possibilities...

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as...

Album: Squirrel Flower - I Was Born Swimming

The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80”...

Stewart Copeland's Adventures in Music, BBC Four review...
Drums away: Stewart Copeland, drummer with The Police and a score of other groups, composer for films, video games and operas, now beams...
Uncle Vanya, Harold Pinter Theatre review - a superlative co...

Uncle Vanya must surely be the closest, the most essential of...

The Personal History of David Copperfield review – top-drawe...

Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant...

The Sunset Limited, Boulevard Theatre review - all talk, no...

Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet...

The Welkin, National Theatre review - women's labour is...

History plays should perform a delicate balancing act: they have to...

The Grudge review - non-stop shocks wear out their welcome

The 18-year-old Japanese horror hit Ju-On (The Grudge)...

Album: Black Lips - Sing In A World That’s Falling Apart

Since first getting together at the fag end of the 20th century, Black Lips have largely played the role of garage...