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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Landman, Paramount+ review - once upon a time in the West
Is there only one Taylor Sheridan? His output is so prolific you’d think there must be half a dozen of them. Although little acknowledged in the...
The Dead, ANU, Landmark Productions, MoLI Dublin review - vi...
James Joyce’s Misses Morkan have gone up in the world for their Christmas gathering this year, from the upper part of a “dark, gaunt house” on the...
All We Imagine as Light review - tender portrait of three wo...
The Indian writer-director Payal Kapadia scored this year’s Cannes Grand Prix with her first fiction film, All We Imagine as Light...
Album: Hibernacula - Three Cane Whale
Since their eponymous 2011 debut, Three Cane Whale have kept it small without losing scale. A trio of Spiro’s Alex Vann, Get The Blessing’s Pete...
Jeff Young: Wild Twin review - a box of tricks
The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative...
Album: The Innocence Mission - Midwinter Swimmers
A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map...
Witches review - beyond the broomstick, the cat, and the po...
From James I’s campaign to wipe out witchery to the feuding sister sorceresses of The Wizard of Oz and the new film musical ...
EFG London Jazz Festival round-up review - youth, age, and t...
Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in...
First Person: singer-songwriter Sam Amidon on working in Din...
Walking in the morning from my Airbnb along the road in West Kerry...