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Kieron Tyler
Sunday, 16 June 2024
Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only Knows.” Amazed by what she heard...
Rachel Halliburton
Saturday, 15 June 2024
There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing transcendence for a sense of serene contemplation that...
Justine Elias
Saturday, 15 June 2024
Islands off the coast of southern Chile, to the Spanish and German settlers of the 19th century, represented the edge of the world. To the Huilliche, the people who’ve lived there...
Harry Thorfinn-George
Saturday, 15 June 2024
A number of films in recent years have added a distinctly local flavour to the folk-horror genre. Mark Jenkin was inspired by Cornish superstitions in the ghostly Enys Men and...
Tim Cumming
Saturday, 15 June 2024
The mournful, lonesome voice of John Moreland from Bixby, Oklahoma, will be known by a few, but not many, in this country. The 12 songs on his latest album, Visitor, released on...
Jonathan Geddes
Friday, 14 June 2024
The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the theatrical angst of Billy Corgan’s crew...
Helen Hawkins
Friday, 14 June 2024
In Marie Amachoukeli’s Àma Gloria there’s a remarkable performance by a child actor, Louise Mauroy-Panzani. So key is...
Saskia Baron
Friday, 14 June 2024
There’s a category of movies that are best seen having read nothing about them. Susquatch Sunset falls into that...
Veronica Lee
Friday, 14 June 2024
Jazz Emu bounds on to the stage, launching into a song that talks about the importance of team work and how he has no ego....
Thomas H Green
Friday, 14 June 2024
US electronic perennial Moby has had a good run. He was a rave culture phenomenon from 1991 onwards. He blew that with a...
Sarah Kent
Thursday, 13 June 2024
Imagine you’ve inherited a castle in West Sussex plus five square miles of farmland. You continue the family tradition of...
Gary Naylor
Thursday, 13 June 2024
You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s Miss...
Guy Oddy
Thursday, 13 June 2024
For a band just putting out their debut album, West Belfast’s Kneecap have been courting media attention for some while and...
David Nice
Wednesday, 12 June 2024
It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who...
Thomas H Green
Wednesday, 12 June 2024
VINYL OF THE MONTHAriel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen The Girl With No Skin (BB*Island)Two...
Nick Hasted
Wednesday, 12 June 2024
Viggo Mortensen has parlayed film stardom into the life of a hard-working, bohemian-minded gentleman scholar. His Lord of...
Jonathan Geddes
Wednesday, 12 June 2024
There was a point in this pop revival jaunt where you could feel members of the crowd wince. Not for the performance, but...
Kieron Tyler
Wednesday, 12 June 2024
“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,”...
Stephen Walsh
Tuesday, 11 June 2024
Why would anyone want to stage a work like The Merry Widow in this day and age? Silly question. It’s the music, stupid. Of...
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tv
Eric, Netflix review - a fairytale of New York
Abi Morgan's drama is a strange mix of urban grime and magic realism
theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cycling
An eventful journey from 'Full Metal Jacket' to 'Oppenheimer' and 'Stranger Things'
Tokyo Vice, Series 2, BBC iPlayer review - an exciting ride that stretches credibility
The return of Jake Adelstein, ace reporter
film
Sorcery review - a tale of shapeshifting revenge
A girl's righteous revenge quest combines with her native beliefs in this Chilean tale
The Moor review - Yorkshire chiller is ambitious but muddled
Despite buzz from the festival circuit, this folk horror film lacks a coherent vision
Àma Gloria review - small-scale triumph with a big emotional payload
A six-year-old girl effortlessly carries this sensitively executed love story
new music
Music Reissues Weekly: Margo Guryan - Words and Music
Lavish box set dedicated to the jazz composer who changed tack to embrace Sixties pop
Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - double-bill of unlikely bedfellows makes a racket
Both 90s favourites went hard and heavy, if occasionally too bludgeoning
classical
Bach's Mass in B Minor, Collegium Vocale Gent, Herreweghe, Barbican - masterful subtlety proves more intriguing than compelling
Mathematical elegance as an intrinsic part of Bach's devotion
theartsdesk at the 2024 Aldeburgh Festival - romantic journeys, cosmic hallucinations and wild stomps
Revelation of a master baritone and a new masterpiece at the heart of a packed weekend
First Person: The Henschel Quartet at 30
On places, people, and playing Freda Swain's 'Norfolk' Quartet at the Aldeburgh Festival
opera
The Merry Widow, Glyndebourne review - fun and frolics in the Embassy
Lehár upstaged but still triumphant
Giulio Cesare, Blackwater Valley Opera Festival review - characterful, lustrous Handel on parade
An infinitely various cast compels as the splendour falls on castle walls
Tosca, Opera Holland Park review - passion and populism
1800, 1968, 2024: a smart revival makes Puccini's evergreen shocker sing again
theatre
Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch
Much adapted play gets a traditional staging fuelled by electric leads
Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on
Adrian Lukis revisits his disruptive character from the BBC adaptation of 'Pride and Prejudice'
Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered
Celebrated scientist is ill-served by confused and dull show imported from Seoul
dance
Rocio Molina, Sadler's Wells Flamenco Festival review - mystery and dark magic, with a giggle
Annual Spanish showcase opens with a dancer intent on subversion by edgy games
The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!
A compelling case for ROH's ballet-friendly rebrand
All You Need Is Death review - a future folk horror classic
Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut
comedy
Rachel Parris, Leicester Square Theatre review - smart observations and satirical songs
Late Night Mash host on tour
Punt and Dennis, The Marlowe, Canterbury review - satire and sketches
Double act back on the road after a decade
Books
Hugo Rifkind: Rabbits review - 31 wild parties and a funeral
Comic novel rides the rollercoaster of 1990s teenagerdom among the Scottish elite
Extract: Pariah Genius by Iain Sinclair
A form-defying writer explores the troubled mindscape of a Soho photographer
Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries
Enjoyable journey through the byways of how lines on maps have shaped the modern world
visual arts
Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy
Two Scottish artists explore childhood and play
Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world
At 84, the American pioneer is a force to be reckoned with
Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph
Rescued from obscurity, 100 women artists prove just how good they can be
latest comments
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