mon 17/06/2024

theartsdesk com, first with arts reviews, news and interviews

Adam Sweeting
Monday, 17 June 2024
Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared in 1990. Enough time has elapsed,...
Bernard Hughes
Monday, 17 June 2024
London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the Royal Orchestral Society,...
Nick Hasted
Monday, 17 June 2024
Benjamin Brewer’s post-apocalyptic, Nic Cage-starring creature feature finds a sombre interest in fatherhood and growing up in screenwriter Michael Nilon’s bleak scenario, after...
Jenny Gilbert
Monday, 17 June 2024
Launching a four-year global project to proclaim the genius of Frederick Ashton might seem unnecessary. His work is the bedrock of what’s widely known as The English Style and...
Markie Robson-Scott
Sunday, 16 June 2024
How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS Lewis (Matthew Goode). His...
Kieron Tyler
Sunday, 16 June 2024
Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only Knows.” Amazed by what she heard...
Rachel Halliburton
Saturday, 15 June 2024
There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing...
Justine Elias
Saturday, 15 June 2024
Islands off the coast of southern Chile, to the Spanish and German settlers of the 19th century, represented the edge of the...
Harry Thorfinn-George
Saturday, 15 June 2024
A number of films in recent years have added a distinctly local flavour to the folk-horror genre. Mark Jenkin was inspired...
Tim Cumming
Saturday, 15 June 2024
The mournful, lonesome voice of John Moreland from Bixby, Oklahoma, will be known by a few, but not many, in this country....
Jonathan Geddes
Friday, 14 June 2024
The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely...
Helen Hawkins
Friday, 14 June 2024
In Marie Amachoukeli’s Àma Gloria there’s a remarkable performance by a child actor, Louise Mauroy-Panzani. So key is...
Saskia Baron
Friday, 14 June 2024
There’s a category of movies that are best seen having read nothing about them. Susquatch Sunset falls into that...
Veronica Lee
Friday, 14 June 2024
Jazz Emu bounds on to the stage, launching into a song that talks about the importance of team work and how he has no ego....
Thomas H Green
Friday, 14 June 2024
US electronic perennial Moby has had a good run. He was a rave culture phenomenon from 1991 onwards. He blew that with a...
Sarah Kent
Thursday, 13 June 2024
Imagine you’ve inherited a castle in West Sussex plus five square miles of farmland. You continue the family tradition of...
Gary Naylor
Thursday, 13 June 2024
You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s Miss...
Guy Oddy
Thursday, 13 June 2024
For a band just putting out their debut album, West Belfast’s Kneecap have been courting media attention for some while and...
David Nice
Wednesday, 12 June 2024
It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who...

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THE HENSCHEL QUARTET AT 30 On places, people and Freda Swain at Aldeburgh

★★★★ GIRLS ALOUD, OVO HYDRO Pop queens return with poignant hit parade

WILDING A glorious documentary that engenders hope

 MISS JULIE, PARK THEATRE A traditional staging fuelled by electric leads

★★★ THE MERRY WIDOW, GLYNDEBOURNE Fun and frolics in the Embassy

THE 2024 ALDEBURGH FESTIVAL Romantic journeys, cosmic hallucinations and wild stomps

★★★★ BEING MR WICKHAM, JERMYN STREET THEATRE The plausible, charming roué gives his version of events 30 years on

THEARTSDESK ON VINYL 84 The most enormous, expansive record reviews in the known universe

disc of the day

Album: John Moreland - Visitor

Haunted and haunting Americana

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

Presumed Innocent, Apple TV+ review - you read the book and saw the movie...

Jake Gyllenhaal stars in absorbing TV adaptation of Scott Turow's legal thriller

Eric, Netflix review - a fairytale of New York

Abi Morgan's drama is a strange mix of urban grime and magic realism

theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cycling

An eventful journey from 'Full Metal Jacket' to 'Oppenheimer' and 'Stranger Things'

film

Arcadian review - Nic Cage underacts at the end of the world

Cage is his sons' stoic guardian in a post-apocalyptic world besieged by night-terrors

Freud's Last Session review - Freud and CS Lewis search for meaning in 1939

Does God exist? Matthew Brown directs Anthony Hopkins as Freud and Matthew Goode as CS Lewis

Sorcery review - a tale of shapeshifting revenge

A girl's righteous revenge quest combines with her native beliefs in this Chilean tale

new music

Music Reissues Weekly: Margo Guryan - Words and Music

Lavish box set dedicated to the jazz composer who changed tack to embrace Sixties pop

Album: John Moreland - Visitor

Haunted and haunting Americana

Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - double-bill of unlikely bedfellows makes a racket

Both 90s favourites went hard and heavy, if occasionally too bludgeoning

classical

Goldscheider, Royal Orchestral Society, Miller, SJSS review – fine horn playing from the very best

A tribute to Ukrainian music also featured a fearless take on Shostakovich

theartsdesk at the 2024 Aldeburgh Festival - romantic journeys, cosmic hallucinations and wild stomps

Revelation of a master baritone and a new masterpiece at the heart of a packed weekend

opera

Giulio Cesare, Blackwater Valley Opera Festival review - characterful, lustrous Handel on parade

An infinitely various cast compels as the splendour falls on castle walls

Tosca, Opera Holland Park review - passion and populism

1800, 1968, 2024: a smart revival makes Puccini's evergreen shocker sing again

theatre

Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch
Much adapted play gets a traditional staging fuelled by electric leads
Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on
Adrian Lukis revisits his disruptive character from the BBC adaptation of 'Pride and Prejudice'
Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered
Celebrated scientist is ill-served by confused and dull show imported from Seoul

dance

Ashton Celebrated, Royal Ballet review - peerless delights from the master step-smith

A delicious triple bill kicks off a worldwide Fred-fest

Rocio Molina, Sadler's Wells Flamenco Festival review - mystery and dark magic, with a giggle

Annual Spanish showcase opens with a dancer intent on subversion by edgy games

The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!

A compelling case for ROH's ballet-friendly rebrand

Books

Hugo Rifkind: Rabbits review - 31 wild parties and a funeral

Comic novel rides the rollercoaster of 1990s teenagerdom among the Scottish elite

Extract: Pariah Genius by Iain Sinclair

A form-defying writer explores the troubled mindscape of a Soho photographer

Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries

Enjoyable journey through the byways of how lines on maps have shaped the modern world

visual arts

Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world

At 84, the American pioneer is a force to be reckoned with

Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

Rescued from obscurity, 100 women artists prove just how good they can be

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