wed 08/01/2025

Books

Nicole Flattery: Nothing Special review - returning to the Factory

It seems that Andy Warhol’s Factory – silver-dusted and populated with tragic, drug-addicted minor celebrities – will always have its draw. The Factory was the Pop Artist’s studio workspace, established in various locations over its 24-year life-...

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Will Harris: Brother Poem review - writing the poems that could have been

You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-shortlisted RENDANG in 2020), is a brief but telling prelude, an...

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Disbelief - 100 Russian Anti-War Poems (ed. Julia Nemirovskaya) review - writing battle-lines

On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world – and not only in rising food and energy prices. Yet...

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Sally Adee: We Are Electric review - currents that run through us all

All the things going on with me as I type this – fingers moving keys, eye and brain registering characters on my screen, thoughts that will (I hope) generate the next lot of characters – rely on electrical signals.So much has been common knowledge...

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Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew Mellor

“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness: sometimes “real and pure”, sometimes it “lingers despite...

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'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcement

Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first, “Insect Love Songs”, thrums with a lyric transience, zeroing-...

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Jaan Kross: A Book of Falsehoods review - plague, power and deception in 16th century Tallinn

When the first volume of Estonian master Jaan Kross’s peerless historical trilogy first appeared in an English translation by Merike Lepasaar Beecher back in 2016, what leapt out at me about this fictionalised saga about the adventures of real-life...

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Best of 2022: Books

From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share their favourite books of 2022. Before his death, Franz...

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10 Questions for writer and translator Saskia Vogel

Johanne Lykke Holm’s spellbinding novel Strega recounts one teen’s journey into womanhood. Leaving her parental home to work with eight other girls in a lavish but mouldering hotel, Rafa grapples with what it means to be a woman in a world...

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Bob Dylan: The Philosophy of Modern Song review - a book that contains multitudes

Some years after Chronicles (2004) a book that broke moulds and delighted with its originality, and as with albums that often came with changes of attitude and style, Bob Dylan's "philosophy" comes as something of a surprise.This is a man who...

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Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry,...

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10 Questions for Bruce Lindsay, biographer of Ivor Cutler

Ivor Cutler: A Life Outside the Sitting Room by Bruce Lindsay, is the first full-length biography of the Glasgow-born poet, author, performer and songwriter. The book will be published on the centenary of Cutler’s birth, 15 January 2023. Cutler...

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