Classical Reviews
Proms 70 and 71: Sir Peter Maxwell DaviesTuesday, 08 September 2009
What exactly is the point of Sir Peter Maxwell Davies? I don't ask this with any malice or hostility, just in a tone of inquiry. It is a question that I think his new Violin Concerto, Fiddler on the Shore, raises. That is, is Davies still here to shock and annoy, or to assuage? The Royal Philharmonic Orchestra under Davies's baton presented the British premiere of the work last night, with Daniel Hope as the soloist, in the first of two proms that...
Read more...
|
Prom 62 Vienna Philharmonic, MehtaThursday, 03 September 2009Schumann's Read more... |
Doctor Atomic, ENOTuesday, 23 June 2009![]()
Among the most astonishing moments in John Adams's new opera Doctor Atomic (currently running at the English National Opera) is an aria at the end of the first act. The eponymous brains behind the Manhattan Project, Dr J. Robert Oppenheimer, stands alone on stage with his new creation, a spherical A-bomb coated in wires and tubes like a patient in intensive care, and sings John Donne's holy sonnet "Batter my heart, three-person'd God". Read more... |
Pages
inside classical music
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...

The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...

The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...

Over the last three years of the London Handel Festival, two experimental productions have...

A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...