Igor Toronyi-Lalic
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.
Articles By Igor Toronyi-Lalic
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk Q&A: Raoul Peck, director of the documentary...
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film...
Jonathan Buckley: One Boat review - a shore thing
One Boat, Jonathan Buckley’s 13th novel, captures a series of...
Blu-ray: The Barnabáš Kos Case
One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in...
A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH...
You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a...
Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...
“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang.
Tamara...
BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester re...
Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to...
Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story
I come to this album from a week or so spent among the denizens of the New York and Boston...
Music Reissues Weekly: Liverpool Sunset - The City After Mer...
What happens after the spotlight is directed towards another target? In the case of Liverpool and the Merseybeat boom – which, in terms of chart...
Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican re...
Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world...