sat 29/02/2020

Igor Toronyi-Lalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

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Denk, LPO, Vänskä, RFH review - 200 years of joy and sorrow

Three works two centuries apart, two of them rarities, with 100 years between each: that's no guarantee for programming success, and no way to...

Sinners, Playground Theatre review - intimacy but also fear

Layla is trapped in a pit of sand up to her shoulders, with a shroud over her head and piles of rocks surrounding her. On steps Nur, who has been...

Nixon in China, Scottish Opera - musical chatter, poetic ban...

Scotland was at the cutting edge of culture in 1988, when the Edinburgh International Festival hosted the UK...

Denis and Katya, Music Theatre Wales / Uproar, Rafferty revi...

Once upon a time writing an opera was first and foremost a question of...

Big Thief, Eventim Apollo review - flashes of brilliance

Big Thief’s show promised that particular brand of raw singing and perfect...

CD: Califone - Echo Fall

Inevitably expectations were high, given that this Chicago experimental ...

Portrait of a Lady on Fire review – love unshackled

Portrait of a Lady on Fire is windblown, spare, taut, and sensual – a haunted seaside romantic...