fri 22/02/2019

Igor Toronyi-Lalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

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The Monstrous Child, Royal Opera, Linbury Theatre review - f...

Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous...

Jesus Hopped the 'A' Train, Young Vic review - sha...

An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train...

DVD: The Guilty

It’s another night in an emergency services dispatch room in...

Equus, Theatre Royal Stratford East review - thrilling physi...

There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social...

Sleeping with Extremists: The Far Right, Channel 4 review -...

It’s always interesting to see how presenters make their presence known in...

Capernaum review - sorrow, pity and shame in the Beirut slum...

An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his...

Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review...

Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a...

Shipwreck, Almeida Theatre review - Trump-inflected fantasia...

Just when you think you may have heard (and seen) enough of ...

Keith? A Comedy, Arcola Theatre review - Molière mined for B...

Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy...