sat 04/07/2020

Igor Toronyi-Lalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

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theartsdesk Q&A: filmmaker Mike Hodges

Mike Hodges arrived in cinema through television, including a stint on the rightly revered Granada Television current affairs series World in...

Album: The Jayhawks - XOXO

If one song best captures the overall mood of XOXO, it's the Beatles-meets-country strains of "Living in a...

Dom Joly/ Daniel Sloss, Brent Cross reviews - UK's firs...

It was a weary and frustrated Dom Joly (**) who left the stage after performing the first drive-in comedy show in the UK. Sadly...

Les Blancs, National Theatre at Home review – triumphant rev...

Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to be produced on Broadway, where it opened...

Back Roads review - nice cheekbones, not much else

Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this...

Family Romance, LLC review - the chameleon blues

Werner Herzog’s appearance in The Mandalorian paid for this deadpan,...

Toast, Lawrence Batley Theatre online review - pungent adapt...

I knew what a Howard Hodgkin painting would look like before I ever saw one because of...

Album: Polly Scattergood - In This Moment

A decade ago, Polly Scattergood was Mute Records’ newest, most-likely-to signing and, while she never crossed over like similar unconventional...

Theatre Lockdown Special 12: An American rarity, a British s...

Can this weekly lineup really now be three months old?  As we move towards at least some degree of relaxation on the social restrictions that...