fri 29/03/2024

Igor Toronyi-Lalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles By Igor Toronyi-Lalic

BBC Proms: Ax, Chamber Orchestra of Europe, Haitink/ Hewitt, BBC Scottish Symphony Orchestra, Manze

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BBC Proms: BBC Scottish Symphony Orchestra, Ilan Volkov/ Viktoria Mullova, Matthew Barley

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The Emperor of Atlantis, Arcola Theatre

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The Rite of Spring, Peckham Car Park/ Yellow Lounge, London Bridge Arches

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BBC Proms: Arditti Quartet, BBC National Orchestra of Wales, Fischer

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BBC Proms: Mahler 9, Stuttgart Radio Symphony Orchestra, Norrington

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BBC Proms: Verdi's Requiem, BBCSO, Bychkov

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BBC Proms: Osborne, BBC Philharmonic, Mena

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BBC Proms: Orchestre Philharmonique de Radio France, Chung/ Erben, Belcea Quartet

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BBC Proms: William Tell, Orchestra of the Academy of Santa Cecilia, Pappano

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DVD: The Music Lovers

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Colin Currie, Pierre-Laurent Aimard, CBSO, BCMG, Oliver Knussen, Aldeburgh Festival

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Madama Butterfly, Royal Opera

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Two Boys, English National Opera

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The Infernal Comedy, Barbican Hall

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Maxwell Davies's Eight Songs for a Mad King/ Birtwistle's Secret Theatre, Queen Elizabeth Hall

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latest in today

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

MJ The Musical, Prince Edward Theatre review - glitzy jukebo...

In a secret chamber somewhere, the producers of ...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...