Igor Toronyi-Lalic
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.
Articles By Igor Toronyi-Lalic
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Jesus & Mary Chain, O2 Institute, Birmingham – Reid Brot...
The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...
Album: Ajukaja & Mart Avi - Death of Music
Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...
The Producers, Menier Chocolate Factory review - liberating...
There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...
La rondine, LSO, Pappano, Barbican review - sumptuous orches...
There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...
A Midsummer Night's Dream, RSC, Barbican review - visua...
Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...
L’étoile, RNCM, Manchester review - lavish and cheerful absu...
Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...
Black Doves, Netflix review - Keira Knightley and Ben Whisha...
It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...
Vampire Weekend, OVO Hydro, Glasgow review - a mixture of br...
When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them,...