sat 20/04/2019

Classical Features

In the spirit of the composer as innovator: Samir Savant on the London Handel Festival

Samir Savant

This is my third year as festival director of the London Handel Festival, an annual celebration of the life and work of composer George Frideric Handel, which takes place every spring in venues across the capital.

Read more...

A Previn treasury

David Nice

In a way, he was a second Bernstein.

Read more...

Best of 2018: Classical concerts

David Nice

Starry times with the big spectaculars really paid off this year, even if the works performed weren't unusual for London. Pappano's latest Verdi Requiem at the Royal Opera was the classiest perfection imaginable, crowned by the phenomenal Lise Davidsen.

Read more...

theartsdesk in Brno: Czech 100th feted through Janáček and Smetana

David Nice

Five of Leoš Janáček's 10 operas are staples of the worldwide repertoire. Two I'd never seen on stage, so the slice I chose of the19-day festival devoted to all of them for the second time in the history of Brno, the cultured Moravian capital where he spent most of his life, tended to the rare and local.

Read more...

First Person Plural: the Calidore String Quartet on music for their torn nation

Calidore String

Classical musicians spend much of their lives inhabiting the realms of the past. To effectively practise and perform the music of Bach, Brahms, Beethoven and countless others, performers must combine research and personal intuition to time travel into the era of these great composers’ lives.

Read more...

Refreshing the sonic spectrum: disability and excellence in British orchestras

Joe Turnbull

Classical music struggles to shrug off the perception of being something of a rarefied world. Or “hermetically sealed” as Charles Hazlewood, founder of the British Paraorchestra describes it. “Classical music has to break out from its ivory tower," says Hazlewood.

Read more...

Like a baton out of hell: Conductors at the 2018 Proms

theartsdesk

Discreetly poking his camera through one of the red curtains around the Albert Hall, chief Proms photographer Chris Christodoulou gets the action shots others would kill for.

Read more...

theartsdesk at the Suoni dal Golfo Festival - romantics shine in the Bay of Poets

David Nice

If only Liszt had started at the end of his Byron-inspired opera Sardanapalo. The mass immolation of Assyrian concubines might have been something to compare with the end of Wagner's Götterdämmerung. Instead he only sketched out the first act, complete until nearly the end, and the inevitable comparisons with the Wagner of the late 1840s are not unfavourable by any means.

Read more...

theartsdesk at the Lucerne Festival - all-Beethoven and all-Ravel concerts from the greatest

David Nice

Like the Proms, but over a more concentrated time-span, in a much better concert hall and with a swankier audience paying a good deal more, the Lucerne Festival offers a summer parade of the world's greatest orchestras and conductors night after night.

Read more...

h 100 Young Influencers of the Year: James Bingham on community choirs

James Bingham

Forty thousand choirs in the UK! Choral directors of the UK rejoice. Voices Now have finally published the Big Choral Census. They’ve put hard data to something we knew was true: there are loads of choirs and loads of people who love singing in them. Finally we can present government with solid evidence that meaningful investment into the art form will be money well spent. Surely a cause for celebration? Yes... but not entirely.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Brockes-Passion, AAM, Egarr, Barbican review - fleshly Hande...

Whips, scourges, sinews, blood and pus: where Bach’s two Passions...

SS Mendi: Dancing the Death Drill, Isango Ensemble, Linbury...

While Bach's and Handel's Passions have been driving thousands to contemplate suffering, mortality and grace, this elegy for black lives lost over...

St Matthew Passion, Ex Cathedra, Skidmore, Symphony Hall Bir...

For the final instalment of their three Matthew Passions this Holy Week, Ex Cathedra gave a large scale performance of Bach’s oratorio in their...

Red Joan review - Judi Dench can't lift lumbering espio...

The decades-long stage relationship between Judi Dench...

Take That, SSE Hydro, Glasgow review - capes and cameos in 3...

This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what...

Climate Change: The Facts, BBC One review - how much reality...

Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the...

Tommy Tiernan, Shepherd's Bush Empire review - playful...

Tommy Tiernan is something of an institution in his native Ireland, as a...

Loro review – hedonism must have an end

"Them" - the "loro" of the title (with a further play on “l’oro”, gold) - denotes the mostly sleazy opportunists willing to use and be used by "...