fri 31/10/2025

Rachel Halliburton

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Articles By Rachel Halliburton

From Historical to Hip-Hop, Classically Black Music Festival, Kings Place review - a cluster of impressive stars for the future

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Gesualdo Passione, Les Arts Florissants, Amala Dior Company, Barbican review - inspired collaboration excavates the music's humanity

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Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its parts

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Punch, Apollo Theatre review - powerful play about the strength of redemption

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theartsdesk Q&A: composer Donghoon Shin on his new concerto for pianist Seong-Jin Cho

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Lacrima, Barbican review - riveting, lucid examination of the forces of globalisation through a dress

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The Gathered Leaves, Park Theatre review - dated script lifted by nuanced characterisation

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BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - defiantly introverted Mahler 5 gives food for thought

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BBC Proms: A Mass of Life, BBCSO, Elder review - a subtle guide to Delius's Nietzschean masterpiece

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Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fan

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The Merry Wives of Windsor, Shakespeare's Globe review - hedonistic fizz for a summer's evening

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Immersive Night Music Show, Makita, Londinium Ensemble, World Heart Beat Embassy Gardens - multimedia musings on a midsummer night

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Hespèrion XXI, Savall, QEH review - an evening filled with laughter and light

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Saul, Glyndebourne review - playful, visually ravishing descent into darkness

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Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true

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Elephant, Menier Chocolate Factory review - subtle, humorous exploration of racial identity and music

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Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

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“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....

Robin Holloway: Music’s Odyssey review – lessons in composit...

Robin Holloway is a composer and, till his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the last...

Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...