Rachel Halliburton

Articles By Rachel Halliburton

Ensemble Augelletti, London Handel Festival, Charterhouse review - dynamic framing of the honorary Englishman Thursday, 21 March 2024 Read more...	Bevan, Williams, BBCSO, MacMillan, Barbican review - inspirational journey from darkness to light Monday, 18 March 2024 Read more...
Der fliegende Holländer, Royal Opera review - compellingly lucid with an austere visual beauty Friday, 01 March 2024 Read more...	Bartlett, LPO, Bihlmaier, RFH review - a clear path through the storm Sunday, 28 January 2024 Read more...
Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensemble Wednesday, 24 January 2024 Read more...	Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composer Saturday, 20 January 2024 Read more...
Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes Friday, 29 December 2023 Read more...	SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternative Thursday, 21 December 2023 Read more...
Aurora Orchestra, Kings Place review - experimental work in an immersive setting Sunday, 26 November 2023 Read more...	Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist Tuesday, 14 November 2023 Read more...
Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions Wednesday, 01 November 2023 Read more...	Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity Monday, 25 September 2023 Read more...
Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back Monday, 18 September 2023 Read more...	As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes Tuesday, 05 September 2023 Read more...
Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece Monday, 04 September 2023 Read more...	Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach Saturday, 26 August 2023 Read more...

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Kohout, Spence, Braun, Manchester Camerata, Huth, RNCM, Manc...

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Album: Night Tapes - portals//polarities

“Helix” is the ninth track on portals//polarities. With this dramatic, acid house-leaning slab of shoegazing-infused...

Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Kerry Godliman, G-Live review - she's livid but deliver...

Kerry Godliman is livid, she tells us. Spider webs catching in her hair, the state of the world, her teenage children; you name it,...

Mark Hussey: Mrs Dalloway - Biography of a Novel review - ec...

Writing in her diary just over 100 years ago on 19^th June 1923, Virginia Woolf wrote: “In this...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...