wed 02/07/2025

Rachel Halliburton

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Articles By Rachel Halliburton

Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composer

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Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes

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SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternative

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Aurora Orchestra, Kings Place review - experimental work in an immersive setting

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Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist

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Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions

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Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity

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Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back

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As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes

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Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece

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Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach

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Prom 50: Samson, Academy of Ancient Music review - a gradual build in musical and dramatic intensity

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Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delights

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After Byrd, HEXAD Collective, Brunel Tunnel Shaft review - resonant tribute to a subversive genius

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First Night of the Proms, BBCSO, Stasevska review - fire and elan mark an evening celebrating freedom

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Romeo and Juliet, Almeida Theatre review - muscular action interspersed with moments of telling stillness

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Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...