thu 16/09/2021

Rachel Halliburton

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Articles By Rachel Halliburton

Amadeus, National Theatre at Home review – wild dance at the edges of sanity

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The Deep Blue Sea, National Theatre at Home review - hauntingly elegiac portrayal of Rattigan's world

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Toast, Lawrence Batley Theatre online review - pungent adaptation of Nigel Slater's autobiography

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The Madness of George III, National Theatre at Home review – a powerful, elegant depiction

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Coriolanus, National Theatre at Home review – gritty 21st century update

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This House, National Theatre at Home review – timely revival of brilliant House of Commons drama

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Barber Shop Chronicles, National Theatre at Home review - still lively after all these years

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The Seven Streams of the River Ota, National Theatre review - theatre at its transcendent best

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Not Quite Jerusalem, Finborough Theatre review - theatrical hit from 1980 now feels flat and stale

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Women Beware Women, Shakespeare's Globe, review – wittily toxic upgrade of a Jacobean tragedy

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On McQuillan's Hill, Finborough Theatre review - timely glance at Northern Irish myths and tensions

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Girl From The North Country, Gielgud Theatre review – poignant collaboration between Conor McPherson and Bob Dylan

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Swive, Shakespeare's Globe review – pacy, dagger-sharp rewriting of history

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The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story

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The Lion, The Witch and The Wardrobe, Bridge Theatre review – spellbinding narrative of parallel worlds

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Stray Dogs, Park Theatre review – no fire in this historic encounter

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Is God Is, Royal Court review – blister, flare and burn, bab...

God is a tricky one. Or should that be One? And definitely not a He. So when she says take revenge, then vengeance is definitely not only hers,...

The Electrical Life of Louis Wain review - visually arrestin...

On its surface, a biopic of a late-Victorian artist starring big...

Our Future in Your Hands, Peckham School Choirs, Multi-Story...

What a way for the Multi-Story Orchestra, conductor Christopher Stark and composer Kate Whitley to celebrate 10 years of pioneering activity in...

Album: The Eivind Aarset 4-Tet - Phantasmagoria, or A Differ...

Phantasmagoria, or A Different Kind of Journey instantly sets its controls for an excursion into the interstellar void between gaseous...

Michael Janisch Band, Ronnie Scott's review - jazz...

This was, said bassist Michael Janisch, his first gig since January last year, and his crack group’s Monday evening set, kicking off at the un-...

Indecent, Menier Chocolate Factory review - cabaret-style de...

Indecent is a play wrapped inside a news story about...

Album: The Felice Brothers - From Dreams To Dust

There’s a modesty to the Felice Brothers, an absenting of ego, even...

Rigoletto, Royal Opera review - routine clouds the best in t...

Another season, another new production of Verdi’s nastiest...

The Lost Leonardo review - an incredible tale as gripping as...

It’s been described as “the most improbable story that has ever happened in the art market”, and The Lost Leonardo reveals every twist...