fri 04/12/2020

Rachel Halliburton

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Articles By Rachel Halliburton

The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story

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The Lion, The Witch and The Wardrobe, Bridge Theatre review – spellbinding narrative of parallel worlds

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Stray Dogs, Park Theatre review – no fire in this historic encounter

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Death of a Salesman, Piccadilly Theatre review - galvanising reinvention of Arthur Miller's classic

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As You Like It, Barbican review – uneven comedy lacks bite

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Translations, National Theatre review - stunning revival of poignant tragicomedy

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Either, Hampstead Theatre review - funny, ingenious investigation of gender and love

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The Permanent Way, The Vaults review – devastating resurrection of play tackling corporate greed

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A Very Expensive Poison, Old Vic review – bold evocation of a post-truth world

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The Secret River, National Theatre review - turbulent tale of Australia's past

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Prince Albert: A Victorian Hero Revealed, Channel 4 review - dramatic documentary filled with intelligent detail

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Whitewash, Soho Theatre review - a wild-at-heart linguistic joy-ride

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A Midsummer Night's Dream, Shakespeare's Globe – blazing-coloured, kick-ass carnival

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Dark Sublime, Trafalgar Studios review – sci-fi tribute is less rocket, more Reliant Robin

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A Midsummer Night's Dream, Bridge Theatre review – gender-juggling romp

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Our Town, Regent's Park Open Air Theatre review – small-town tale that raises profound existential questions

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Album: Yungblud - Weird!

Doncaster musician Dominic Harrison – Yungblud – appeared a couple of years ago, a self-proclaimed...

Not-quite-solitude on the 34th floor: violinist Maxine Kwok...

2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the...

Album: High Contrast - Notes From the Underground

Dance music has a notably different relationship to...

Zanele Muholi, Tate Modern review - photography as protest

Hail the Dark Lioness (Somnyama Ngonyama in Zulu) is a powerful celebration of...

Mank review – David Fincher’s brilliant, bitter-sweet paean...

For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw...