fri 07/03/2025

Rachel Halliburton

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Articles By Rachel Halliburton

Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough bite

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Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttle

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Dr Strangelove, Noël Coward Theatre review - an evening of different parts

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Music from Pole to Pole, Clark, City of London Sinfonia, Smith Square Hall review - talk of clouds, music to match

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Natalie Tenenbaum, Oslo Hackney review - shimmering hailstorms of notes

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theartsdesk Q&A: young pianist Ignas Maknickas on appearing at the Roman River Festival and beyond

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Prom 54, Ma, Ax, Kavakos review - exquisite display of humility and communication

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Prom 10, Van der Heijden, BBCSSO, Ryan Wigglesworth review - an engaging and esoteric delight

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First Night of the Proms, BBCSO, Chan review - from the sublime to the mischievously meticulous

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Concert Theatre DSCH, Norwegian CO, QEH review - visually stunning, viscerally thrilling Shostakovich

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The Taming of the Shrew, Shakespeare's Globe review - riotous comedy jars with the bitter pill of the production's message

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Bach's Mass in B Minor, Collegium Vocale Gent, Herreweghe, Barbican - masterful subtlety proves more intriguing than compelling

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Die Zauberflöte, Glyndebourne review - cornucopia of visual inventiveness eclipses everything else

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Britten Sinfonia, The Marian Consort, Milton Court review - a journey around turbulent spirit Gesualdo

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Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fields review - engagingly subversive pairing falls short

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Ensemble Augelletti, London Handel Festival, Charterhouse review - dynamic framing of the honorary Englishman

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