Rachel Halliburton

Articles By Rachel Halliburton

In The Realms of Sorrow, London Handel Festival, Stone Nest review - disappointed love has all the best tunes Saturday, 04 March 2023 Read more...	Jean-Efflam Bavouzet, Wigmore Hall review - virtuoso brilliance and thoughtfulness reveal Haydn's range Tuesday, 21 February 2023 Read more...
Sound Unwrapped Launch, Kings Place review - ravishing combination of ancient and modern Saturday, 21 January 2023 Read more...	Mithras Trio, Wigmore Hall review - exhilarating, highly-toned performance Tuesday, 10 January 2023 Read more...
William Thomas, Malcolm Martineau, Wigmore Hall review - a richly modulated journey Wednesday, 14 December 2022 Read more...	Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistry Tuesday, 29 November 2022 Read more...
Henry V, Shakespeare's Globe review - anatomy of a violent, murky world of leadership Saturday, 26 November 2022 Read more...	El Gran Teatro del Mundo, St John's Smith Square review - a diverting tour of an unusual musical form Tuesday, 15 November 2022 Read more...
An Anatomy of Melancholy, Barbican Pit review - stunning journey into an Elizabethan heart of darkness Tuesday, 01 November 2022 Read more...	Noisenight10, Roberts Balanas, Omeara Club review - virtuosic brilliance with a wave to the wild side Monday, 10 October 2022 Read more...
The Boy with Two Hearts, National Theatre review - poignant yet humorous story of family forced to flee Afghanistan Thursday, 06 October 2022 Read more...	Igor Levit, Wigmore Hall review - titanic talent shows his lighter side Monday, 26 September 2022 Read more...
The Snail House, Hampstead Theatre - perplexing new drama that lacks bite Friday, 16 September 2022 Read more...	Prom 61, Cabell, Chineke! Voices and Orchestra, Edusei review - a thrilling, fiercely rational Beethoven 9 Saturday, 03 September 2022 Read more...
I, Joan, Shakespeare's Globe review - a non-binary retelling that's as ebullient as it's irreverent Friday, 02 September 2022 Read more...	The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre review - the puppetry is all part of the magic Friday, 29 July 2022 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

The Makropulos Case, Royal Opera - pointless feminist compli...

Janáček described his nature-versus-humanity fable The Cunning Little Vixen as “a merry thing with a sad...

Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...

Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...