Classical Features
From cancellation to new vigour: pianist and artistic director Joseph Middleton on Leeds LiederTuesday, 15 June 2021
April 2020 was to have been the celebratory 10th Anniversary Festival of Leeds Lieder, the organisation I’ve been fortunate enough to direct since late 2014. Read more... |
First Person: Boris Giltburg on lockdown interruptions to filming Beethoven's 32 piano sonatasMonday, 03 May 2021
About a year ago, in a distant pre-pandemic world, I remember walking down Edgware Road one cold London evening. I was heading towards Jaques Samuel Pianos, my favourite haunt in London, to meet filmmaker Stewart French from Fly On The Wall. Read more... |
First Person: composer and Renaissance man Tunde Jegede on transcending genresWednesday, 28 April 2021
In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to. Read more... |
First Person: violinist Abigail Young on getting back to her Japanese orchestra in Covid yearFriday, 26 March 2021
February 2020: an item a long way down the agenda of the nightly news caused me to remark, fairly casually, “I wonder if that will affect me”. I had already heard about Covid-19, the new virus emerging from China; now it was spreading into places where I earned my living. I was beginning to worry. Read more... |
‘The Healing Power of Music’: composer Nigel Hess on great-aunt Myra’s wartime concertsMonday, 01 March 2021
It has been well-documented over the last few months that there has been an upsurge in listener numbers for many radio stations offering classical music – notably BBC Radio 3, Classic FM and Scala Radio – and, during these unprecedented times it comes as no surprise to discover that so many people (of all ages) are finding... Read more... |
Classical musicians on life after Brexit - 3: violinist Sara Deborah Struntz-TimossiThursday, 04 February 2021
Sara Deborah Struntz-Timossi is an international award-winning violinist who has toured with early music ensembles like the European Union Baroque Orchestra, Dunedin Consort and The English Concert, as well as performing across Europe as a soloist and chamber musician. Read more... |
Classical musicians on life after Brexit - 2: violinist Victoria SaylesThursday, 28 January 2021
In March 2020, all my work in Australia and Sweden, where I had won contracts for several months to come, was cancelled on the day I was due to fly. Both organisations who had engaged me promptly honoured their contracts with me financially nevertheless. Read more... |
'The total confusion about post-Brexit rules adds to the distress': classical musicians speak outThursday, 21 January 2021
“Fuck business,” Boris Johnson is alleged to have said while Foreign Secretary. (He didn’t deny it). We have seen enough over the past three weeks of the impact of Brexit on fishermen, hauliers, wine merchants and a host of business people to know that he wasn’t joking. What of the impact on musicians? Read more... |
'Having to establish a real conversation with the audience is a good challenge': Raffaello Morales on a possible musical futureThursday, 31 December 2020
As this most remarkable year prepares to enter the history books, most of us who are part of the music industry have come to realise that the western world is desperately looking for solutions to an emergency of unprecedented dimensions in post-war times, and that music is not widely perceived to provide a Read more... |
Dame Fanny Waterman (1920-2020) - some recollections, with love and affectionTuesday, 22 December 2020
Dame Fanny Waterman was a true force of nature, in the best sense of the word. Her diminutive height belied a giant intellectual force and a steely determination to achieve the seemingly unachievable through every means she could muster. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Primal Scream, O2 Academy, Birmingham review - from anthems...
Bobby Gillespie and Andrew Innes may have been steering the good ship Primal Scream for some 40 years but, on the evidence of this week’s visit to...
theartsdesk on Vinyl 89: Wilco, Decius, Hot 8 Brass Band, He...
VINYL OF THE MONTH
Rattle Encircle (Upset! The Rhythm)
...
Marcus Brigstocke, Touring review - Modern manhood laid bare
The title of Marcus Brigstocke’s latest show, Vitruvian Mango, is, like the man himself, rather clever. He appears on stage...
Patrick McGilligan: Woody Allen - A Travesty of a Mockery of...
Patrick McGilligan’s biography of Woody Allen weighs in at...
Album: Black Country, New Road - Forever Howlong
Black Country, New Road’s Forever Howlong is an ambitious reinvention that both captivates and, at times, frustrates. Following Isaac...
Peter Grimes, Welsh National Opera review - febrile energy a...
Emotions run high at WNO these days. When the company’s co-...
An Evening with Joan Armatrading, Cadogan Hall review - tho...
I can’t hear Joan Armatrading without being instantly transported back to Liverpool, and my student digs just around the corner from Penny Lane. I...
Frang, LPO, Jurowski, RFH review - every beauty revealed
When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I...
Kenny Garrett, Ronnie Scott's review - a mixed bag
The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of...