Classical Features
First Person: composer Brian Elias on the Music@Malling Festival's retrospective of his worksTuesday, 13 October 2020
It is my very good fortune to be offered by Music@Malling what is, in effect, a retrospective of my work. The music that will be performed was written between 1969 and 2019, exactly half a century. Read more... |
First Person: Gregory Batsleer on choirs for the 21st centurySaturday, 03 October 2020
Choral music is one of the UK’s oldest and most-loved art forms. It has been at the centre of my life ever since I started singing in primary school and has grown to become a crucial part of my identity as both a musician and artist. I am a signed-up evangelist of choral music; I do not need convincing of its power. Read more... |
First Person: pianist Danny Driver on teaching online and the importance of music educationSaturday, 26 September 2020
There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial understatement – it has had a massive effect on people’s way of life across the globe, it has cost hundreds of thousands of lives and permanently scarred many more physically, psychologically and emotionally. Read more... |
First Person: Artistic Director John Gilhooly on an inclusive and diverse Wigmore HallSaturday, 12 September 2020
It is hard to believe that it’s really happening! Despite a few bumps along the way, Christian Gerhaher and Gerold Huber, one of the greatest Lieder duos of our time, will open the 20/21 Wigmore Hall Season tomorrow night in a programme of Schubert and Berg. Read more... |
'Masses of performers are still grounded': pianist Sophia Rahman on a UK music scene in crisisSunday, 06 September 2020
Have you ever tried watching a film, programme or even an advert without the soundtrack? If so, you’ll know that music is a cornerstone of all the culture you enjoy, not only Strictly or the Proms. From the grandest of ceremonies to the everyday ringtone, music is involved. Could you imagine an Olympic ceremony without bands, symphony orchestras, or national and unofficial anthems? Read more... |
A masked elegy: portraits of string players at the Fidelio Orchestra CaféFriday, 07 August 2020
Out of a silent and empty City of London, unusually still even for a Sunday afternoon, it felt surreal to come upon a centre of light and activity. Raffaello Morales, Renaissance man, conductor of the Fidelio Orchestra and owner/impresario of its eponymous café which has played host to great performances over the past month, had mustered 23 of the finest London-based players to tackle the ultimate in works for string orchestra. Read more... |
'Rehearsing Beethoven with Barenboim felt like an historical moment': Vienna Philharmonic trombonist Kelton Koch on a new normalMonday, 03 August 2020
Joining the Vienna Philharmonic as a student and young professional was an absolute thrill. I had begun to play with the orchestra as an academist in October 2019 and as a full-time member in the Opera in January 2020. I was experiencing many “firsts”: concerts in the Musikverein [Vienna’s magnificent number one concert hall], first tour in Asia, first Vienna Philharmonic Ball and Vienna State Opera Ball. Read more... |
First Person: Christopher Glynn on how the Ryedale Festival flows onSaturday, 18 July 2020
An invitation: come to the Ryedale Festival. It's never been easier. All you need is a screen and an internet connection. Because our festival, along with others up and down the land, is waiting in the wings, ready (just) to step out for the first time onto a digital platform. Read more... |
First Person: Royal College of Music Director of Programmes Diana Salazar on a transformation in learning and teachingTuesday, 14 July 2020
I wasn’t the only one who felt emotional when I left our beautiful building in South Kensington for the last time before lockdown. By that stage in mid-March the corridors had become quiet. The sense of loss was palpable: no concerts, no playing together, no conversation, no sound. Read more... |
theartsdesk Q&A: horn player Sarah WillisSaturday, 11 July 2020
Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts, interviews with musicians streamed live on her website and archived on YouTube. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...
Hespèrion XXI, Savall, QEH review - an evening filled with l...
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...
Album: Neil Young & the Chrome Hearts - Talkin' to...
When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy singer-songwriter fare or a set of...
Samuel Arbesman: The Magic of Code review - the spark ages
The slightly overwrought subtitle, "How Digital Language Created and Connects Our World and Shapes Our Future", gives a...
Album: Mary Halvorson - About Ghosts
Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first...
A Midsummer Night's Dream, Bridge Theatre review - Nick...
It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the...
Saul, Glyndebourne review - playful, visually ravishing desc...
This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in...
theartsdesk at the Dublin International Chamber Music Festiv...
If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in...
