sat 19/09/2020

Classical Features

Opinion: The new London hall - 10 Questions we need to ask

Jessica Duchen

So the feasibility study for the new concert hall – The Centre for Music – has finally surfaced, a little later than planned. It’s being greeted, generally speaking, as if it’s to be the next London Olympics. “A global beacon,” declares the Evening Standard...

Read more...

theartsdesk in Örebro: Brandenburgs plus

David Nice

In 1981 a 20-year-old Swedish trumpeter on national service turned up in the town – city, by Swedish reckoning – of Örebro as soloist in Bach’s Second Brandenburg Concerto.

Read more...

Kurt Masur (1927-2015)

David Nice

This is difficult. An official obituary, such as the one I’ve just finished for The Guardian, has no problem in pointing out the achievements of Kurt Masur’s distinguished career. Whatever his party-line status in Honecker’s East Germany, which he used to get the Leipzig Gewandhaus rebuilt to his own satisfaction, Masur did play a crucial role as one of five spokesmen preventing a Tiananmen Square-style massacre before the Berlin Wall fell.

Read more...

Jaap van Zweden: ‘A great orchestra needs to be a chameleon’

Gavin Dixon

Jaap van Zweden is going places. At 55, he is already 16 years into a second high-profile musical career. His first, as a violinist, saw him appointed leader of the Concertgebouw, the youngest ever to hold the position. From there, he moved to the conductor’s podium, and is now Music Director of the Dallas Symphony and the Hong Kong Philharmonic. According to some rumours, he is also under serious consideration for the New York Philharmonic.

Read more...

Farewell to Stravinsky's right-hand man

David Nice

Missionary angel or twelve-tone devil? Musical figures like Poulenc, perhaps too much attached to the diabolical element in Thomas Mann’s Doktor Faustus, were inclined to see the incursion of Robert Craft into Stravinsky’s Hollywood life in 1948 in demonic terms.

Read more...

First Person: 'We Have Found a Better Land'

Mark Bowden

"Helo, ti yw Mark?" A friendly-looking woman on the tiny plane asks me my name. She is a teacher from a Welsh-speaking school in Patagonia, Ysgol yr Hendre, escorting her pupils home from a trip to Cardiff. "I was told to look out for you on the plane. Come and sit with us!" she continues.

Read more...

theartsdesk Q&A: Pianist Stephen Kovacevich

David Nice

“Whatever happened to Stephen Bishop?” is not a question likely to be asked by followers of legendary pianism. Born in San Pedro, Los Angeles on 17 October 1940, the young talent took his stepfather’s name as his career was launched at the age of 11. Later he honoured his own father’s Croatian "Kovacevich", by appending it to the “Bishop”.

Read more...

theartsdesk at the Music@Malling Festival

David Nice

One of the summer’s greatest pleasures has been to confirm an often untested truism: that you may hear some of the finest and rarest music-making in out-of-the-way places.

Read more...

theartsdesk at the Lammermuir Festival

David Kettle

It’s hard to believe that East Lothian’s Lammermuir Festival has only been around for six years. In that short time, it’s become a cherished fixture in Scotland’s musical calendar. For regular concert-goers, it’s a calmer antidote to the August festival mayhem of Edinburgh, just half an hour away, and just a couple of weeks after the capital’s wall-to-wall chaos ends.

Read more...

Sir David Willcocks (1919-2015)

theartsdesk

Even if you never saw him conduct, you may well have sung one of Sir David Willcocks's carol arrangements. I remember the unnatural excitement in our church choir when the orange-jacketed Carols for Choirs 2 arrived on the scene, enhancing our repertoire with some especially juicy settings. Sir David Willcocks, who died on Thursday at the grand old age of 95, was steeped in the British choral tradition; for many, he was its heart and soul.

Read more...

Pages

latest in today

Picnic at the Castle review - entertaining mixed bill

Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking...

Nocturnal review - an impossible love

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...

Album: Alicia Keys - Alicia

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...

Rocks review - impressively well-crafted neo-realist drama

Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...

GogolFest:Dream review - the best music festival of the summ...

GogolFest:Dream in Kherson, somewhere near the Crimea in...

Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Fes...

An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable...

The Devil All The Time review – a test of faith in a Souther...

Theres no denying the Faulknerian ambition to the construction of Anthony Camposlatest feature Devil All the Time...

Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of...

Album: Fish - Weltschmerz

"This party's over" snarls Fish on Weltschmerz, and, this time, it seems the big man really means...

Alban Gerhardt, Markus Becker, Wigmore Hall review - long sh...

It wouldn’t be true to say I’d forgotten what a solo cello in a...