fri 04/04/2025

Classical Features

'A product not only of his era but also of his travels': Ian Page on Mozart's cosmopolitan education

Ian Page

When Mozart was an established composer living in Vienna during the final years of his short life, a young student seemingly came to him to seek his advice. The would-be young composer said that he was planning to write a symphony, and asked Mozart what advice he could give to him. Mozart replied that a symphony was a complex undertaking, and suggested that the youngster should first write a few keyboard sonatas and string quartets before undertaking an orchestral work.

Read more...

theartsdesk in Treviso - cultural patronage, Italian style

David Nice

Fortunate those Italian towns and cities whose Renaissance rulers looked to the arts to enrich their domain. Now neglect of cultural heritage can be laid at the doors of successive governments, but regional enlightenment can make a difference even in the era of Salvini.

Read more...

theartsdesk in Svalbard: cultural excellence at the top of the world

David Nice

You should not die or be born on Svalbard, 1,985 kilometres above Norway's northernmost coast, and at 18 you work or leave for the mainland. Hunting is over, mining nearly so. Tourism, carefully managed, and Arctic research are the future; the Global Seed Vault is also here, and Syria has been the first country to take from it.

Read more...

Roger Wright on Oliver Knussen: ‘his challenge to us all to remain curious lives on’

Roger Wright

The composition course founded more than 25 years ago at Snape by composers Oliver Knussen and Colin Matthews is in full swing. The scene is the Britten Studio at Snape Maltings on the Suffolk coast. Like Colin, Olly's connections to Aldeburgh and Snape are deep and long lasting, including his Artistic Directorship of the Festival.

Read more...

theartsdesk in Gothenburg: concert-hall storytelling rivets at the Point Music Festival

David Nice

There was a special celebratory aura to the start of Swedish city Gothenburg's first Point Festival. Earlier in the week its Symphony Orchestra's Chief Conductor, electrifying Finn Santtu-Matias Rouvali, had not only announced a renewed contract there but also been appointed to the same position with our own Philharmonia Orchestra, to succeed Esa-Pekka Salonen.

Read more...

First Person: Liam Byrne on bringing Versailles to the City's 'Culture Mile'

Liam Byrne

When you dedicate your life to studying and performing on a musical instrument that essentially went extinct at the end of the 18th century, nostalgia plays a certain unavoidable role in your daily routine.

Read more...

theartsdesk in Tallinn and Tartu: Estonian Music Days go global

David Nice

First under Soviet rule, then in the remarkable flourishing of a liberated nation, Estonian contemporary music has held its independent head high and showcased it, under the aegis of the Estonian Composers' Union, first for a few days and now for more than a week in spring. In this, its 40th anniversary year, Estonian Music Days became World Music Days, hosting composers from 60 countries as the base for the 96-year old ISCM.

Read more...

First Person: Robert Hollingworth on I Fagiolini's 'Leonardo - Shaping the Invisible'

Robert Hollingworth

Leonardo da Vinci died 500 years ago on 2 May this year. We all know he was a painter, sculptor, architect, engineer, pioneer of flight and anatomist – yet according to Vasari, Leonardo’s first job outside Florence was as a result of his musical talents.

Read more...

In the spirit of the composer as innovator: Samir Savant on the London Handel Festival

Samir Savant

This is my third year as festival director of the London Handel Festival, an annual celebration of the life and work of composer George Frideric Handel, which takes place every spring in venues across the capital.

Read more...

A Previn treasury

David Nice

In a way, he was a second Bernstein.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

MobLand, Paramount+ review - more guns, goons and gangsters...

A year ago Guy Ritchie brought us the Netflix series The Gentlemen, and now here he is on Paramount+ with his latest romp through the...

Ed Atkins, Tate Britain review - hiding behind computer gene...

The best way to experience Ed Atkins’ exhibition at...

Four Mothers review - one gay man deals with three extra mot...

An Irish adaptation of Garcia Di Gregorio’s acclaimed 2008 film Mid-August Lunch, director Darren Thornton’s Four Mothers is the...

Album: Miki Berenyi Trio - Tripla

I saw the Miki Berenyi Trio play a warmly received sold out set at the Lexington last autumn, at which many of the songs now coming out on ...

The Importance of Being Oscar, Jermyn Street Theatre review...

It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean;...

Album: Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Death Hilarious

Pigsx7 have hardly got a reputation for penning tender and soulful ballads, but Death Hilarious is a particularly aggressive and...

Stiletto, Charing Cross Theatre review - new musical excess

That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...

Misericordia review - mushroom-gathering and murder in rural...

“Be careful what you wish for, you might get it.” The Aesop-ian maxim roughly applies to Jérémie Pastor (Félix Kysyl) in Alain Guiraudie's...

Owen Wingrave, RNCM, Manchester review - battle of a pacifis...

It’s quite ironic that the Royal Northern College of Music should have invited, as director of this,...