mon 06/07/2020

Classical Features

Building a Library: Living with Sibelius

David Nice

I’ve just spent five weeks in the company of a very austere and sometimes frightening masterpiece, Sibelius’s Fourth Symphony, hearing a great many recordings of it for Building a Library, the abiding gem of Radio 3’s CD Review in which the critic takes the listener through the piece and chooses a front runner.  

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Rattle for the LSO: great or just good news?

David Nice

Having manoeuvred to get a new concert hall for London earmarked in principle, Sir Simon Rattle has finally agreed, as we thought he would, to take charge of the London Symphony Orchestra in 2017.

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Sci-Fi Week: Scoring the Impossible

graham Rickson

Classical composers have always enjoyed depicting the implausible. Operas based on mythological subjects abound, creating near-impossible staging demands. Musical works based on science fiction are far rarer. Haydn's plodding opera Life on the Moon isn't one of his most scintillating works.

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theartsdesk in Stockholm: A Nobel Prize for Musical Excellence

David Nice

Should you not have caught one of the 20th century’s handful of greatest Wagnerian singers live - I did, just once, in a Prom of uneven excerpts - chances are that you first heard Birgit Nilsson in Brünnhilde’s Immolation Scene from Götterdämmerung on Sir Georg Solti’s Vienna Philharmonic Ring recording.

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theartsdesk in Bamberg: Top Town, Top Orchestra

David Nice

As a town of 70,000 or so people, Bamberg boxes dazzlingly above its weight in at least two spheres. The Bamberg Symphony Orchestra, risen to giddy heights under its chief conductor of the last 14 years Jonathan Nott, is decisively among Germany’s top five, and acknowledged as such in its substantial state funding (to the enviable tune of 80 percent, a figure known elsewhere, I believe, only in Norway). And a galaxy of great buildings has won the place UNESCO World Heritage status.

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Remembering Christopher Hogwood (1941-2014)

theartsdesk

He was not only a bracing conductor/harpsichordist pioneer in period-instrument authenticity, writes David Nice, but also a gentleman and a scholar.

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theartsdesk in Verbier: Festival with Fireworks

alexandra Coghlan

Mahler’s Sixth Symphony is dominated by the doleful clang of cowbells. They are an other-worldly intrusion into an otherwise familiar musical scene – unless you happen to be in Verbier, that is, in which case they are just another everyday part of the aural landscape.

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theartsdesk in La Foce: War and Peace in Val d'Orcia

David Nice

“If this isn’t nice, what is?” Kurt Vonnegut’s vow to repeat his Uncle Alex’s mantra when things were going “sweetly and peacefully” has been much on my mind during various idylls this war-torn summer. It certainly applied to hearing three boys and a girl in their early teens play a cloudless early Haydn string quartet in the beautifully restored small neoclassical theatre of a perfect Umbrian hill town.

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theartsdesk at the East Neuk Festival: Littoral Schubertiad

David Nice

Schubert played and sung through a long summer day by the water: what could be more enchanting? The prospect did not take into account the pain in that all too short-lived genius’s late work: when interpreted by a world-class trio, quartet and pianists at the 10th East Neuk Festival, it could be exhausting.

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Lorin Maazel (1930-2014) on Puccini's Golden Girl

David Nice

I met one of the 20th century’s most impressive, if not always sympathetic, conductors twice, on both occasions to talk Puccini before La Scala recordings of La fanciulla del West (The Girl of the Golden West) and Manon Lescaut.

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