Classical Reviews
Classical Music/Opera direct to home 5 - orchestral manoeuvres in the lightMonday, 06 April 2020
Necessity has certainly been the mother of invention over the past three weeks, and orchestras especially, left in the dark with no means of coming together other than virtually, have had to adapt double-quick. The players, of course, are artists, and in league with good technical teams they've yielded some winners which may bring more people to the real thing when life as we knew it resumes. Read more... |
Czech Philharmonic Benefit Concert online review – profound musicianship in sombre masked fundraiserWednesday, 01 April 2020
Less than six months ago Prague’s most prestigious concert hall, the neo-Renaissance Rudolfinum, was all glittering lights and packed, smartly dressed audience for the Czech Philharmonic’s hot ticket first performance there for 49 years of its national epic, Smetana’s Má vlast (My Homeland) – a grand one indeed... Read more... |
Beethoven: 1808 Reconstructed, Aimard, Philharmonia, Salonen, RFH review - a feast in fading lightTuesday, 17 March 2020
Like it or not, we live – as Beethoven did – in interesting times. In place of the revolutions, wars and occupations that convulsed the cities he knew, we now confront a silent, invisible foe that breeds an equal terror. Read more... |
Frang, LSO, Pappano, Barbican review - hearing the silenceMonday, 16 March 2020
Three deep-veined masterpieces by two of the 20th century's greatest composers who just happened to be British, all fading at the end to nothing: beyond interpretations of such stunning focus as those offered by violinist Vilde Frang, conductor Antonio Pappano and the London Symphony Orchestra, these works could ask for nothing more than intense silence from the third point of what Britten called the magic triangle... Read more... |
Skelton, Rice, BBCSO, Gardner, Barbican review – romanticism’s last standSaturday, 14 March 2020
Only a modest audience turned up for this BBC Symphony Orchestra concert, though it was unclear if this was caused by the threat of airborne disease or the inclusion of Schoenberg on the programme. The result was a paradoxical intimacy, with the huge orchestra expressing complex but private emotions from a group of fin de siècle Viennese composers. Read more... |
Daniel Sepec, Tabea Zimmermann, Jean-Guihen Queyras, Wigmore Hall review - the viola is a starThursday, 12 March 2020
Six weeks ago, the Ernst von Siemens Music Foundation announced that it the winner of its prestigious and extremely valuable main annual prize for 2020 "to a composer, performer, or scholar who has made outstanding contributions to the world of music" will be the viola player Tabea Zimmermann. Read more... |
Bach St John Passion, Bach Collegium Japan, Suzuki, Barbican review - intense pain and dancing consolationWednesday, 11 March 2020
Eyes watering, heart thumping, hands clenched: no, not The Thing, but a spontaneous reaction to the opening of Bach's St John Passion in the urgent hands of Masaaki Suzuki. How his Bach Collegium oboes seared with their semitonal clashes while bass lines throbbed with pain, before the chorus added a different, supernatural turn of the screw. Read more... |
Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraintWednesday, 11 March 2020
No orchestra wants its conductor to cancel in the week of a concert. Read more... |
Beyond the Grace Note, Sky Arts review - march of the women conductorsMonday, 09 March 2020
Perhaps the most surprising thing is how good natured they all sound. There’s no anger. At least, not much – one can’t help wondering what they say off air. Read more... |
BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - making music magicMonday, 09 March 2020
Omer Meir Wellber, who once used to do magic with music for children, pulled a whole set of rabbits out of the hat in his reading of Beethoven’s Fourth Symphony on Saturday. Others may make the work's rhythms and melodies alluring through the sheer forward momentum of a steady beat. Not Wellber. Read more... |
Pages
inside classical music
latest in today
Cyprus Avenue, Royal Court Theatre online review - a mind in...
One of the most blistering stage performances in recent memory gets a renewed lease on life with the streaming of the 2019 screen version, aired...
Colors performance stream on YouTube review - vocalists on l...
The Colors studio in Berlin has quietly created one of the biggest new brands in music from filming back-to-basics performances with laser-focused...
It’s True, It’s True, It’s True, Breach Theatre online revie...
Artemisia Gentileschi has definitely had a hard time. Although she was an outstanding Renaissance painter in the style of Caravaggio, and the...
theartsdesk on Vinyl Lockdown Special 1: Napalm Death, Brazi...
For the duration of this C19 Lockdown, rather than the usual sprawling monthly epic, theartsdesk on...
Ozark, Series 3 review, Netflix - money-laundering saga hits...
While not the most headline-catching show on Netflix, ...
Classical Music/Opera direct to home 5 - orchestral manoeuvr...
Necessity has certainly been the mother of invention over the past three weeks, and orchestras especially, left in the dark with no means of...
Rumpelstiltskin, Sadler's Wells Digital Stage review -...
The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the...
Rachel Fairburn, Go Faster Stripe review - smart and subtle...
Rachel Fairburn says she didn't know what to wear for the...