Classical Reviews
Requiem for Hieronymus Bosch, BBCSO, Bychkov, Barbican review – fire and brimstone on a flat canvasMonday, 09 December 2019
“Hieronymus!” bellowed David Wilson Johnson from the Barbican Hall’s circle on Saturday evening. “Hieronymus Bosch!” Commissioned by Dutch radio for a big piece to mark 500 years since the passing of the Dutch painter in 1516, the German composer Detlev Glanert wrote a Requiem. Read more... |
Choirs of St Catharine's College, Cambridge, Wickham, Kings Place review - fresh take on 'lessons and carols'Monday, 09 December 2019
At this time of year the musical world – and particularly the choral world – is full of festive concerts, and the challenge can be to find programmes venturing off the well-worn path of traditional favourites. Read more... |
Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstractionFriday, 06 December 2019
Music and visual art, at least at the highest level, should go their own separate ways; put them together, and one form will always be subordinate to the other. A composer being inspired by an artist's work, or vice versa, is something else altogether. Read more... |
Tynan, Clayton, Murray, Aurora Orchestra, Dean, Wigmore Hall review - Britten lives!Thursday, 05 December 2019
Benjamin Britten died on 4 December 1976. Last night’s Wigmore Hall concert, on the 43rd anniversary of his passing, proved that his real legacy lies not in inert acts of homage but a living engagement both with his work, and the unruly energies that drove it. Read more... |
Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonoritiesTuesday, 03 December 2019
Fine-tuning piano sound to Wigmore acoustics can elude even the greatest. Add a second Steinway and a wide range of percussion instruments, and the risks would seem to be hugely increased. Read more... |
Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and genialityMonday, 02 December 2019
There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second of two Barbican concerts with Iván Fischer and his Budapest Festival Orchestra... Read more... |
Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11Monday, 02 December 2019
This family concert – “Total Immersion: Lift Off!” – was basically a small-scale rerun of this year’s CBeebies Prom, that one entitled “Off to the Moon”. Read more... |
Behzod Abduraimov, Queen Elizabeth Hall review - enchanting engagement and breathtaking virtuosityWednesday, 27 November 2019
Given the number of audience members playing air-piano along with parts of Pictures at an Exhibition, Behzod Abduraimov should perhaps be described as a pianist’s pianist. He is nevertheless a great deal more than that. Read more... |
Highgate International Chamber Music Festival opening concert review - top soloists blend to perfectionMonday, 25 November 2019
When celebrated individuals get together to play chamber music on special occasions, the result can often turn out as what the late cellist of the Borodin Quartet, Valentin Berlinsky, disparagingly called "festival quality" – meaning a clash, rather than a blend, of personalities. Read more... |
Eyck, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - theremin takes centre stageFriday, 22 November 2019
The theremin is still a relatively rare visitor to concert halls, particularly in a solo role, but Carolina Eyck is changing that. Read more... |
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inside classical music
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