Classical Reviews
Schubertiade 3 at the Ragged Music Festival, Mile End review - five great musicians keep spirits soaringTuesday, 24 June 2025
Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to return for the last event of Pavel Kolesnikov and Samson Tsoy’s third festival here, much as I’d love to have heard Allan Clayton in Britten’s Our Hunting Fathers. And if anything, the three-part all-Schubert programme was even more levitational than I’d expected. Read more... |
Immersive Night Music Show, Makita, Londinium Ensemble, World Heart Beat Embassy Gardens - multimedia musings on a midsummer nightTuesday, 24 June 2025
To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and perfectly formed hall bristling with “state-of-the-art” acoustics and digital facilities. On a balmy midsummer’s evening, the pianist and composer Rieko Makita invited us to reflect on the different moods and aspects of the night, in a programme that combined music with digital art projections. Read more... |
RNCM International Diploma Artists, BBC Philharmonic, MediaCity, Salford review - spotting stars of tomorrowSaturday, 21 June 2025
Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small number of soloists on the postgraduate International Artist Diploma there, and also for some young conductors on the master’s course run by Mark Heron and Clark Rundell. Read more... |
Monteverdi Choir, English Baroque Soloists, Suzuki, St Martin-in-the-Fields review - the perfect temperature for BachFriday, 20 June 2025
In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of midsummer sauna that enveloped Trafalgar Square last night. Yet, at St Martin-in-the-Fields, Masaaki Suzuki, the Monteverdi Choir and the English Baroque Soloists managed to beat the heat with an exhilarating shirt-sleeved journey through the cantatas that Bach wrote exactly three centuries ago for the Thomaskirche in Leipzig. Read more... |
Aldeburgh Festival, Weekend 1 review - dance to the music of timeWednesday, 18 June 2025
This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “Mingled with love and then dissolved in sound”. With or without words, music shapes and voices feelings that would otherwise lie beyond expression. Read more... |
Dandy, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - a destination attainedMonday, 16 June 2025
The opening and closing concerts of a season tend to be statements of intent – to pursue a path of exploration or (latterly) to celebrate a destination attained. John Storgårds’ final programme of the BBC Philharmonic’s series at the Bridgewater Hall was definitely the latter of those. Read more... |
Hespèrion XXI, Savall, QEH review - an evening filled with laughter and lightThursday, 12 June 2025
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader, Jordi Savall, executed a fiendishly rapid sequence of notes that sent the rosin from his bow rising up like smoke. Read more... |
theartsdesk at the Dublin International Chamber Music Festival - musical revelations, nature beyondTuesday, 10 June 2025
If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in recent years have involved Brahms, a composer I love more the older I get: the Second, A major, Piano Quartet, much less often heard than No. 1, at the 2018 Hatfield House Chamber Music Festival, and, last Friday, his First String Quartet from the Cuarteto Casals, also new to me, in an airy room looking out on Dublin’s Glasnevin Botanic Gardens. Read more... |
Müller-Schott, RSNO, Søndergård, Usher Hall, Edinburgh - spectacular Shostakovich to end the seasonSaturday, 07 June 2025
There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the 50th anniversary of the death of Dmitri Shostakovich, so it’s completely appropriate the Royal Scottish National Orchestra chose to end its season with a concert of his music. Read more... |
Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending larkTuesday, 27 May 2025
James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a spectrum of pieces which brim with wit and inventiveness. This lunchtime concert with violinist Anthony Marwood was a sheer joy, as they together traversed a range of style and tone, richly entertaining a very decent Bank Holiday crowd in the Wigmore Hall. Read more... |
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