Classical Reviews
Williams, City of London Sinfonia, Southwark Cathedral review - a British Isles cornucopiaFriday, 29 October 2021
A year ago, the City of London Sinfonia’s quietly different concerts in Southwark Cathedral were a lifeline in the twilight of semi-lockdown; I’ll never forget how we treasured the last, on 17 November, knowing that everything would be closed again the following day for at least a month (there was a brief intermission, then darkness again until this May). Read more... |
Monteverdi Vespers, La Nuova Musica, Bates, Wigmore Hall review - small venue, huge impactWednesday, 27 October 2021
I last heard Monteverdi’s Vespers of the Blessed Virgin, published in 1610, at Garsington Opera as the summer light of the Chilterns slowly dimmed across an airy auditorium dotted with singers who bathed us in scintillating meteor-showers of sound. Laden with spectacle, surprise and virtuosity, this piece was born in splendour. Read more... |
Delepelaire, RSNO, Søndergård, Usher Hall, Edinburgh review - festive and magicalMonday, 25 October 2021
“What a lovely sound that was!” declared Music Director Thomas Søndergård, bounding onto the podium of the Usher Hall. He was referring, of course, to the warm applause greeting the Royal Scottish National Orchestra on its first full outing in front of an Edinburgh audience in nigh on 18 months. Read more... |
CBSO Quartet, Hockley Social Club, Birmingham review - unveiling of innovative new partnershipSaturday, 23 October 2021
Kicking off a brand new partnership between the City of Birmingham Symphony Orchestra and Hockley Social Club, this first ever Symphonic Session saw a string quartet from the CBSO take centre stage at Birmingham’s latest street-food venue, Hockley Social Club, on Thursday evening. Read more... |
Van der Heijden, Hallé, New, Bridgewater Hall, Manchester review - rising to challengesFriday, 22 October 2021
The youthful New Zealand-born conductor Gemma New and British cellist Laura van der Heijden between them set the Hallé quite a challenge at this concert. Read more... |
Colin Currie Group, RFH review - Reich premiere explores fresh territoryWednesday, 20 October 2021
Single-composer programmes can be a bit dicey and there was a bit of trepidation approaching this one as Steve Reich is not a composer of massive range: he has been diligently tilling the same patch of soil since the 1970s. Read more... |
Clements Prize, Conway Hall review - newly-written string trios in competitionMonday, 18 October 2021
The Conway Hall in London has hosted chamber music concerts since it was built in 1929, and for 40 years this included a composition prize, in abeyance since the late 1970s. This has now been revived by the hall’s enterprising director of music, pianist Simon Callaghan, to help young composers post-pandemic. Sunday night saw the final concert in which the shortlisted pieces were played and the winner announced. Read more... |
Tamestit, LSO, Ticciati, LSO St Luke's review - viola as chameleon, palpitating BrahmsFriday, 15 October 2021
Returning to LSO St Luke’s, formerly a beacon in the darkness of semi-lockdown for the lucky few allowed to feast upon the London Symphony Orchestra from the gallery, felt the same, yet different, like so much since most of the rules were relaxed. Read more... |
Two-Piano Gala, Kings Place review - five pianists, two pianos, too many piecesMonday, 11 October 2021
I’ve always loved the sound of two-piano music: the amazing range of available textures, the interplay of parts and the sense of collaboration between soloists. Read more... |
Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cakeSaturday, 09 October 2021
As the Statue of Liberty appears in Charlie Chaplin’s The Immigrant, our improvising pianist proclaims “The Star-Spangled Banner”, only for it to slide dangerously. Read more... |
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