Classical Reviews
Clarke, Ränzlöv, The Mozartists, Page, Wigmore Hall - young Mozart among the giantsFriday, 10 January 2020
Assuming the world holds together that long, there will be something we can rely on annually all the way to 2041, the 250th anniversary of Mozart's death: among the celebrations each year, a Wigmore Hall concert like this one, placing Amadeus among the other composers of his time, great and small(er). Read more... |
Suzman, London Schools Symphony Orchestra, Edwards, Barbican review - a cabaret from hellThursday, 09 January 2020
The devil wore all manner of outlandish attire in last night's chameleonic programme devised by Peter Ash, the London Schools Symphony Orchestra's challenging artistic director. Read more... |
National Youth Orchestra of Great Britain, Martín, Barbican review - songs of protest and resilienceMonday, 06 January 2020
In youth we trust. That can be the only motto worth anything for 2020, as the world goes into further meltdown. Read more... |
Best of 2019: Classical concertsFriday, 27 December 2019
It says so much for the cornucopia of London's classical music scene alone that all five of the most recent concerts I've attended have made the long list for best of 2019. I'll settle for two. Read more... |
Ex Cathedra, Skidmore, Coventry Cathedral review - Christmas calm and contemplationTuesday, 17 December 2019
As they celebrate their 50th year, Ex Cathedra have brought their much loved Christmas music by candlelight concerts to churches all across England, before giving five concerts in the run up to Christmas at St Paul’s in the Jewellery Quarter, in their home town of Birmingham. Read more... |
Hewitt, Clein, Aurora Orchestra, Ward, Kings Place review – rise and shineMonday, 16 December 2019
Why does music suddenly disappear? It is all the more heartening when a work as excellent and enjoyable as Louise Farrenc’s Symphony No 3 takes wing once more, but you do have to wonder how in the world such a terrific orchestral piece was permitted to sink and vanish in its day under a morass of dubious opera. Read more... |
Cargill, LSO, Pappano, Barbican review - high anxiety and visionary gleamsFriday, 13 December 2019
What a jolting coincidence that one of the 20th century's angriest symphonic beasts should have a rare unleashing on a night of high national anxiety. Read more... |
Bauer, CBSO, Koenig, Symphony Hall Birmingham review - Christoph pulls it offFriday, 13 December 2019
Mirga Gražinytė-Tyla’s programmes in Birmingham are so personal – so utterly bespoke – that in the event of her being indisposed, they present something of a problem. That’s what happened this week. Read more... |
Charpentier Christmas settings, Solomon's Knot, St John's Smith Square review - pastoral shadesTuesday, 10 December 2019
There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. Read more... |
Les Arts Florissants, Christie, Agnew, Barbican review – splendid Baroque knees-upTuesday, 10 December 2019
“How many times have you heard the conductor sing?” asked William Christie after the final number, but before the two encores, of Sunday night’s 40th birthday celebration for his ensemble Les Arts Florissants. Well, lovers of old recordings know that you sometimes get plenty of impromptu vocalisation from the likes of Bernstein and Barbirolli. Read more... |
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