Classical Reviews
Joanna MacGregor, Kings Place review - soul and stormFriday, 01 March 2019
How often do two contemporary women composers get to take a stage bow during a solo recital of no more than modest length? Last night at Kings Place, within an eclectic bill of fare dubbed “Soul of a Woman” as part of the venue’s Venus Unwrapped season, Joanna MacGregor performed a brace of piano pieces by members of the audience: the Jamaican composer Eleanor Alberga and, as her unscheduled encore, Freya Waley-Cohen’s “Southern Leaves”. Read more... |
Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - new work trumpets a sun journeyMonday, 25 February 2019
The BBC Philharmonic and its chief guest conductor John Storgårds introduced their Manchester audience to two new things – possibly three – in this concert. One was a world premiere, and you can’t get much newer than that. Read more... |
Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offsSaturday, 23 February 2019
Time was when the BBC Symphony Orchestra played austerely wholesome programmes of modern and romantic classics to third-full houses. Read more... |
Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review - ferocious Mahler 9 without inscapeThursday, 21 February 2019
Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a Vienna Philharmonic Mahler Ninth Symphony, least of all under the purposeful control of Ádám Fischer. Read more... |
Hussain, Symphony Orchestra of India, Dalal, Symphony Hall, Birmingham review - new sounds from a new bandWednesday, 20 February 2019
For its first ever performance in this country, the Symphony Orchestra of India - formed in only 2006 - kicked off its UK tour in spectacular style at Symphony Hall, Birmingham yesterday evening. Based at the National Centre of Performing Arts in Mumbai, the SOI is India’s first and only professional symphony orchestra. Read more... |
Tynan, Appl, Burnside, Wigmore Hall review - the music of domesticity explored in songWednesday, 20 February 2019
The first visual impression of Monday’s Wigmore Hall song recital was of the marked height difference between Irish soprano Ailish Tynan and the willowy baritone Benjamin Appl. But as they warmed to their task, their voices, which initially seemed an unlikely pairing, grew on me, whether in solo or duet numbers. Read more... |
Trifonov, LSO, Rattle, Barbican review - Russian style with French chic (and cheek)Tuesday, 19 February 2019
The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way. Russian Wunderkind pianist bags a sackful of competition trophies (Rubinstein, Tchaikovsky prizes; Gramophone Awards). Early recitals and recordings display stupendous technique allied to audacious, beyond-his-years interpretation. Hype shoots off the scale. Read more... |
Elīna Garanča, Malcolm Martineau, Wigmore Hall review - towards transcendenceMonday, 18 February 2019
It seems an almost indecent luxury to have heard two top mezzos in just over a week with so much to express, backed up by the perfect technique and instrument with which to do so. Georgian Anita Rachvelishvili with Pappano and the Royal Opera Orchestra the Friday before last only had to hold the spell through a Rachmaninov sequence in the middle of an all-Russian concert. Read more... |
Ek, CBSO, Gražinytė-Tyla, Symphony Hall, Birmingham review - epics of sea and landMonday, 18 February 2019
British concert audiences now know and love one great Lithuanian, among the most communicative and individual conductors in the world today (note I don't even need to prefix "conductors" with "women"). Read more... |
Montero, Scottish Ensemble, Kings Place review - new music with a political edgeSaturday, 16 February 2019
The Venezuelan pianist and composer Gabriela Montero is an outspoken advocate for political change in her country, using her musical standing as a platform from which to highlight Venezuela’s "hijacking" by "forces of... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
inside classical music
latest in today
Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Boh...
Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between...
Vic Marks: Original Spin review - trouble in Taunton
In cricket, timing is everything. Played a fraction early and that...
Reissue CDs Weekly: Peter Laughner
“As much as I love New York City, it’s all too obvious that Cleveland is about to become the musical focal point that the Big Apple has been on...
Gossip, SWG3, Glasgow - a reunion tour worth celebrating
If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front...
Making Noise Quietly review - poetic if occasionally preciou...
Robert Holman’s 1986 Bush Theatre play – seen most recently in London at the Donmar Warehouse in 2012 – makes for a beautifully acted curio of a...
Prom 1, BBCSO, Canellakis review - space-age First Night
A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the...
Tell It to the Bees review - taboo love in 1950s Scotland
In Tell It to the Bees, sex is aberrant unless it’s conducted by a straight married couple. Since...
