Classical Reviews
Natalie Dessay, Philippe Cassard, Milton Court review - flashes of magicThursday, 07 December 2023
It could have been a winner: a charismatic star soprano of great emotional and interpretative intelligence, a top pianist given a little space to shine on his own, a programme that looked good on paper, of distinguished German/Austro-German women composers in the first half, French dark versus light in the second. But Milton Court is an unwelcoming venue, like being inside a dark-wood coffin, and the singer seemed uneasy between numbers to begin with. Read more... |
Paul Lewis, Wigmore Hall review - Schubert sonatas revisitedWednesday, 06 December 2023
A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and a half years and across four continents, every work Schubert wrote for piano between 1822, the year he was diagnosed with syphilis – ergo, knew he was dying – and his death in 1828. Read more... |
Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre review - joyous Christmas music by BachTuesday, 05 December 2023
There’s a game called Whamageddon, where people see how deep into December they can go without hearing “Last Christmas”. I’m like that, but with the Bach Christmas Oratorio, and this year I made it four days. And who would want to wait any longer? Last night I was at the Voces8 Centre in London as part of a live audience for a concert also streamed in the ongoing Live from London series, started during the Covid summer of 2020 and continuing to flourish. Read more... |
Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - chamber music supergroup in perfect accordWednesday, 29 November 2023
Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made a lot of sense to programme it alongside the first piano quartets of those other composers. A “supergroup” of brilliant young soloists came together as an ensemble as tight as any that plays together every day, and made a committed case for each piece. Read more... |
Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - sounds of unquenchable optimismTuesday, 28 November 2023
John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience, with one music stand in front of him, as he played the solo violin role in Sebastian Fagerlund’s Helena’s Song, and frequently turning 180 degrees, with the full score in view, to conduct at the same time. Read more... |
MacMillan's Christmas Oratorio, Lois, Williams, RSNO, MacMillan, Usher Hall, Edinburgh – a great composer at the top of his gameMonday, 27 November 2023
It is not every day that a new choral work by a living composer can confidently be labelled a masterpiece. Yet this is what we have here. James MacMillan’s Christmas Oratorio is still sufficiently freshly-minted to be receiving its Scottish premiere, and from Friday night’s spectacular performance by the Royal Scottish National Orchestra and Chorus it deserves to sit alongside Messiah or Bach’s eponymous masterpiece as a staple of our future Christmas repertoire. Read more... |
Louise Alder & Friends, Wigmore Hall review - magic carpet rides with soprano, strings and woodwindMonday, 27 November 2023
Sometimes all the stars align in musical performance. There’s no soprano more alive to the expression of musical joy and rapture than Louise Alder, no composer more levitational in his strange later adventures than Fauré, no instrumentalists strings better than pianist Joseph Middleton, the Doric String Quartet and double-bass player Laurène Durantel at being supernatural companions throughout his song-cycle La bonne chanson. Read more... |
Aurora Orchestra, Kings Place review - experimental work in an immersive settingSunday, 26 November 2023
The Icelandic composer Anna Thorvaldsdottír found her work put under a strangely unforgiving lens when it was featured in Tár, the now infamous Todd Field film made in 2022 starring Cate Blanchett as a tempestuously exacting female conductor. In a scene where Lydia Tár is taking a masterclass at the Julliard, she savages a student who is conducting a string quartet playing Thorvaldsdottír’s music, saying it sounds like “tuning up”. Read more... |
Morison, Immler, BBCSO, Bychkov, Barbican review - a Kafka journey and a mighty landmarkSaturday, 25 November 2023
The German composer Detlev Glanert, taught by Hans Werner Henze and a past collaborator with Oliver Knussen, received a Proms commission as far back as 1996. He remains, it might be fair to say, a shadowy presence here despite his prominence back home. Read more... |
Grosvenor, SCO, Emelyanychev, Usher Hall, Edinburgh review - lightness of touch and a sprinkling of humourFriday, 24 November 2023
Nobody would describe Felix Mendelssohn as a fringe composer, but his piano concertos aren’t exactly central classical repertoire either. They lack the foundational status of Mozart’s and the high Romantic seriousness of Beethoven’s or Brahms’, and Mendelssohn doesn’t help himself in the way that an air of the faintly hilarious hangs around his First Piano Concerto. Read more... |
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