tue 01/04/2025

Classical Reviews

Elisabeth Leonskaja, Wigmore Hall review - a universe of sound and emotion in Schubert’s last three sonatas

David Nice

Wonders never ceased in Elisabeth Leonskaja’s return to the Wigmore Hall. Not only did she play Schubert’s last three sonatas with all repeats and the full range of a unique power undiminished in a 78-year old alongside a never too overstated pathos, radiance and delicacy; just before receiving the Wigmore Hall Medal (presentation by John Gilhooly pictured below), she also gave us more revelations in the compressed world of Schoenberg’s Six Little Pieces, Op. 19.

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Andsnes, London Philharmonic Choir and Orchestra, Gardner, RFH review - total clarity in classic-romantic and prophetic Rachmaninov

David Nice

If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year – and I confess I dodged other occasions – it might as well have come in the fresh and racy shape of Leif Ove Andsnes' interpretation and the equally alert, forward-moving playing of the London Philharmonic Orchestra under a kindred spirit, its principal conductor Edward Gardner.

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Hough, Philharmonia, Rouvali, RFH review - where the wild things are

Boyd Tonkin

This autumn, the Philharmonia’s “Nordic Soundscapes” season promises music suffused with the epic vistas, and weather, of high latitudes, along with reflections on the climate crisis as it threatens the traditional bonds between nature and culture. So far, so piously programmatic. But what difference can such a high-minded schema make to the music made by the orchestra’s outdoorsy Finnish maestro, Santtu-Mathias Rouvali, and his colleagues? 

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Hallé, Wong, Bridgewater Hall, Manchester review - declaration of thrills to come

Robert Beale

If audience reaction is anything to go by, Kahchun Wong’s season-opening first concert officially in post as principal conductor of the Hallé was an outstanding success.

And the reception was deserved. Still young enough, with a mop of hair cascading over his forehead, to look like a Wunderkind, he has considerable experience behind him, with a career on both sides of the world – in south-east Asia and in Europe and America.

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Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemoth

Bernard Hughes

If Angela Hewitt’s recital last night at the Wigmore Hall was a meal, it would have been two light, fresh – but nourishing – courses, followed by a big suetty pudding, splendidly cooked but sitting slightly heavy on the stomach.

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Pavel Kolesnikov, Wigmore Hall review - unpredictable magic

David Nice

All five finalists in the Leeds International Piano Competition, at which Pavel Kolesnikov was one of the jurors, should have been given tickets, transport and accommodation to hear his Wigmore recital the evening after the prizegiving. Not that supreme imagination can be taught, but to witness the degree of physical ease (and freeflowing concert wear) that allows all the miracles to happen would be a good lesson to so many tension-racked pianists, including some of Kolesnikov’s peers.

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Lewis, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - adding the Moon to The Planets

Robert Beale

The first piece by Grace-Evangeline Mason I heard was six years ago, a simple song in a multi-composer “Manchester Peace Song Cycle” performed at the Royal Northern College of Music when she was studying there.

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Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nagy, Stoller Hall, Manchester review - finish line of a remarkable marathon

Robert Beale

Mozart, made in Manchester”, the project to perform and record an edition of the piano concertos plus all the opera overtures, seemed a distant destination and an unlikely marathon when Manchester Camerata embarked on it eight years ago.

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Donohoe, Roscoe, Stoller Hall, Manchester review - two great pianists celebrate 50 years

Robert Beale

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest pianists of their generation, who met at the Royal Northern College of Music, celebrated the 50th anniversary of their first collaboration there. 

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroines

Boyd Tonkin

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair of shades. But the super-heroine pianist, who played Rachmaninov’s First Piano Concerto, turned out to contribute the (comparatively) restrained and low-key element of a London Symphony Orchestra programme that culminated in a wall-shaking performance of Saint-Saëns’ "Organ" Symphony, with Anna Lapwood at the manuals.

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