sat 30/08/2025

Classical Reviews

Manchester Collective, RNCM review - something special in new music

Robert Beale

When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness something special, to be remembered fondly. It doesn’t happen always, but I think it did for Héloïse Werner’s Hidden Mechanisms, which received its first performance in Manchester last night.

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Widmann, LSO, Pappano, Barbican review - razor-sharp attack in adrenalin charges

David Nice

Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly congruent. Before he took up his post as Chief Conductor, there were the extinction whispers of Vaughan Williams’ Sixth Symphony the night before lockdown and the fury of VW’s Fourth on the eve of Boris Johnson’s election. Now the aggressive dynamism of Walton’s First raised us out of that sinking feeling as the USA worsens by the day.

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Nakariakov, SCO, Emelyanychev, Queen's Hall, Edinburgh review - a frenzied feast of contemporary classics

Miranda Heggie

What a delight to see an almost full Queen’s Hall for a programme solely of contemporary music. The Scottish Chamber Orchestra’s New Dimensions series, launched this season, sees a host of newer classical works performed and appears to be drawing in regular audience members as well as a younger crowd.

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Biss, BBCSO, Hrůša, Barbican review - electrifying Shostakovich at a crucial time

David Nice

At the end of an exhausting week in which Holocaust Memorial Day struck a more urgent note than ever as fascism started tearing through the USA, parts of this concert were bound to hit hard. That they did so to the power of 100 was thanks to the extraordinary impact of Jakub Hrůša, now recognised as one of the greats by British audiences as he waits to take up the full-time reins at the Royal Opera. The BBC Symphony Orchestra burned for him in fullest focus.

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BBC Singers, Aurora Orchestra, Collon, Kings Place review - on the way to heaven via King's Cross

Boyd Tonkin

Just now, music about survival, transcendence and the afterlife may have a special resonance for the BBC Singers. After all, the supremely versatile century-old chamber choir has endured its own near-death experience – at the hands of the BBC top brass who, in 2023, planned to axe them.

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RAM Song Circle, Wigmore Hall review - excellent young musicians lift the spirits

Bernard Hughes

After a week of illness, heading out into the Sunday afternoon cold and rain was not something I was overjoyed to undertake. But in the event this short Wigmore Hall recital by three young singers and their fellow student pianists was thoroughly cheering, sending me back into the mizzle with a spring in my step. Both in their repertoire choices and their delivery of those choices there was so much to like and I am glad to have been there.

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Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review - beauty and style from a winning pianist

Robert Beale

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in one work.

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Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the labyrinth of a Martinů masterpiece

David Nice

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and Peter Jarůšek after an East Neuk Festival concert, they said they intended to do it slowly, with absolute commitment. Tuesday night’s performance of the stupendous Fifth sealed the pledge. It held central place in a concert which only brought relief from Czech grittiness with the great cathartic melodies in Brahms’s Third Piano Quartet.

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Tiffin Youth Choir, London Philharmonic Orchestra and Chorus, Jurowski, RFH review - perfect detachment suits public statements

David Nice

When Vladimir Jurowski planned this typically unorthodox programme, he could not have known that a disaster even greater, long-term, than 9/11 was going to befall the USA two days after the concert. There is no bad time for a tricky commemoration of the World Trade Center attacks, but close to a presidential inauguration would have been right whatever the outcome. As for an 18th century “Mass in Time of War”, clearly Ukraine and Gaza would still be on the agenda.

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Celtic Connections: Orchestral Qawwali Project, GRIT Orchestra review - two concerts showcasing the cross-genre power of an orchestra

Miranda Heggie

Once again, Glasgow’s annual winter festival of traditional music from all parts of the world is formed of an astonishingly packed programme of music, dance, trails and poetry in venues throughout the city. This year’s opening weekend saw two distinctly different orchestral concerts, each pushing the boundaries of what an orchestra can be.

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