Classical Interviews
'A laboratory for everything': Jasper Parrott on the future of his classical music agencySaturday, 05 October 2019
Fiftieth anniversary? It seems incredible but also so exhilarating not least because these times we live in now seem to me to be a golden age for music of all kinds and in particular for what we label so inadequately classical music. Read more... |
10 Questions for Cellist Raphael WallfischMonday, 13 May 2019
Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. Read more... |
10 Questions for Musician Will GregorySaturday, 04 May 2019
Will Gregory (b.1959) is best known as one half of the alt-pop duo Goldfrapp but has a long career in music that dips into many areas. Throughout the 1980s and 1990s he was a working musician who toured with multiple bands, notably, Tears for Fears, as well as playing on sessions for albums by artists ranging from The Cure to Portishead. Read more... |
theartsdesk Q&A: concert pianist Lucy ParhamThursday, 03 January 2019
"The opportunities in standard concert formats are fewer than they were. You have to be versatile and look at different ways to bring this rich canvas of music to your audience," says pianist Lucy Parham. Read more... |
theartsdesk Q&A: guitarist Sean ShibeTuesday, 02 October 2018
First it was the soft acoustic guitar playing, which on three occasions to three very different audiences won a silence so intense it was almost deafening. Read more... |
Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interviewSaturday, 26 May 2018
Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Read more... |
Violinist Eldbjørg Hemsing: 'in the moments when magic happens, you think, that's why we do this'Saturday, 28 April 2018
In a classical recording industry seemingly obsessed with marketing beautiful young female violinists, but very often presenting them in repertoire to which most of them seem to have little individual to add, how do you make your mark? Read more... |
Robin Ticciati on conducting Brahms: 'trying to understand the man through his music'Monday, 09 April 2018
Edinburgh, October 2015. Robin Ticciati is still flying high from a remarkable performance of Brahms's First Symphony, the start of an intended cycle with his Scottish Chamber Orchestra in his seventh season as principal conductor. Read more... |
theartsdesk Q&A: Composer, chansonnier and conductor HK Gruber at 75Thursday, 04 January 2018
You haven't lived until you've witnessed Viennese maverick H(einz) K(arl) Gruber – 75 today (3 January, publication day) – speech-singing, conducting and kazooing his way through his self-styled "pandemonium" Frankenstein!!. Read more... |
Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'Sunday, 01 October 2017
Sweden's ackowledged "National Orchestra", the Gothenburg Symphony, left its Chief Conductor post unfilled for four seasons, but now it's finally certain to have let the right one in. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
inside classical music
latest in today
A History of Water in the Middle East, Royal Court review -...
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British identity in various formats. Her work includes poetry,...
LFF 2019: The Irishman review - masterful, unsentimental gan...
Time passes slowly and remorselessly in The Irishman. Though its much remarked de-ageing technology...
Verdi Requiem, LPO, Gardner, RFH review – beyond the big noi...
You seldom expect to feel the breath of apocalypse and the terror of the grave amid the modestly rationalist architecture and passion-killer...
CD: James Arthur - You
It’s an easy joke to suggest that James Arthur needs an editor. By this point, the 31-year-old singer is almost as...
Thomas J Campanella: Brooklyn - The Once and Future City rev...
For visitors to New York, it’s all about Manhattan, its 23...
Great Women Artists review - the book we have been waiting f...
Every now and then a book comes out that can change lives. If a survey like this had appeared when I was a student at the Slade, the struggle to...
Reissue CDs Weekly: Dip - Ḣ-Camp Meets Lo-Fi
The temptation with the 20th anniversary reissue of Ḣ-Camp Meets Lo-Fi (Explosion Picture Score) is to look for traces...
Studio 17: The Lost Reggae Tapes, BBC Four review - a perfec...
If there was ever a documentary that needed you...
Baby Reindeer, Bush Theatre review - break, break, breaking...
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake your body and then give you a parting kick in...
PP Arnold, Islington Assembly Hall review - joy in a consumm...
“I had my first inter-racial relationship.” Moments after walking on stage and before the first song, PP Arnold is reminiscing about when she...