mon 20/05/2019

Classical Interviews

theartsdesk Q&A: Composer George Crumb

Igor Toronyi-Lalic

George Crumb (b.1929) is one of the great American experimental composers of the 20th century. His delicate scores are characterised by a child-like sense of wonder and an array of instrumentation that appears to have hitched a ride from outer space. Crumb first came to the fore in the 1960s with Songs, Drones and Refrains of Death (1968), Night of the Four Moons (1969), inspired by and...

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theartsdesk Q&A: Sir Charles Mackerras

Igor Toronyi-Lalic

At 84 years of age, Sir Charles Mackerras is one of the best-respected and best-loved operatic conductors working in the world today. He conducts Benjamin Britten's The Turn of the Screw for the English National Opera tonight and, despite bouts of ill health, found time to talk about his friendship - and falling out - with Britten, his time conducting the opera under Britten's watchful eye, his experiences in Prague...

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theartsdesk Q&A: Composer Sir Peter Maxwell Davies

Igor Toronyi-Lalic

There is no more extraordinary musical journey than that of Britain's leading living composer, Sir Peter Maxwell Davies (b.1934). In the 1960s, he was Britain's Stravinsky, at the heart and head of the modernist musical rebellion, provoking audience walkouts, outraging the musical powers that be and occasionally even hitting the news headlines. Today, as a Knight of the realm and a Master of the Queen’s Music, he finds himself in the very bosom of the British establishment.

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Meeting Katherine Jenkins

Robert Sandall

It’s pretty well understood that talent, good looks and hard work are not enough to guarantee you safe passage through the celebrity jungle nowadays. But for five years it looked as though they might be enough for Katherine Jenkins. Until recently the general view of Jenkins held that she was a nice, polite, touchingly naive, and unaffected young woman from Neath in South Wales, who just happened to be the most popular classically trained singer to emerge here in this century.

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