Classical Reviews
Feng, CBSO, Wilson, Symphony Hall Birmingham review - effortless expressionThursday, 02 December 2021
As the conductor of English National Opera’s 2018 production of Porgy and Bess, there can’t be many maestros in the UK who can currently match John Wilson’s knowledge of that extraordinary score. And there are surely none who can rival Wilson’s understanding of – and passion for – the work of the great interwar Broadway and Hollywood arrangers (he built an entire orchestra around them, after all). |
Tchetuev, LPO, Larsen-Maguire, Congress Theatre, Eastbourne review - sunshine by the seaTuesday, 30 November 2021
Even with a chill wind blowing from the Sussex Downs, this copper-bottomed Overture-Concerto-Symphony Sunday matinée was guaranteed to entice concert-goers to Eastbourne’s Sunshine Coast, which duly dazzled both outside and inside the hall. Read more... |
Imogen Cooper, Wigmore Hall review - calm waters run deepMonday, 29 November 2021
On a night when any brooks running past the Wigmore Hall might have frozen almost solid, Imogen Cooper’s recital travelled on sparkling waters of the highest purity across almost a century of pianistic innovation. Read more... |
Kim, RSNO, Stockhammer, Usher Hall, Edinburgh review - bold programming survives a replacementMonday, 29 November 2021
What happens in an orchestra when your designated conductor for three gigs at the end of the week phones in with Covid on Monday morning? By Monday afternoon, when he was writing his introduction to the programme notes for this concert, Alistair Mackie, chief executive of the Royal Scottish National Orchestra, still didn’t know. He didn’t know who would conduct or even if the repertoire would change. Read more... |
Scenes from the Wild, Morgan, CLS, Paterson, Southwark Cathedral review - a cornucopia of the seasonsSaturday, 27 November 2021
Dara McAnulty’s Diary of a Young Naturalist (14 at the time of writing) is a total vision, effortlessly poetic where the likes of Rober Macfarlane sometimes seem to strive for effect. Cheryl Frances-Hoad’s 26 songs, with a text drawn from the journal by the late Amanda Holden, offered only a partial panorama at its world premiere. Read more... |
Giltburg, Hallé, Elder, Bridgewater Hall, Manchester review - back to glorious normal?Friday, 26 November 2021
Sir Mark Elder and the Hallé were making something of a statement in this concert. Read more... |
Kolesnikov, Sinfonia of London, Wilson, Snape Maltings review – volcanic Britten and Vaughan WilliamsMonday, 22 November 2021
They’re singing songs of praise in Aldeburgh today – namely Britten’s magical unaccompanied choral setting of Auden’s Hymn to St Cecilia on the composer’s birthday and the annual celebration of music’s martyred patron. And what a right to celebration Britten Pears Arts will have earned after a weekend of concerts from bold John Wilson’s latest super-orchestra, an army of technicolor generals. Read more... |
Soweto Kinch, LSO / 'London Third Stream', London Sinfonietta, EFG London Jazz Festival review - projects from the political to the loop-ySaturday, 20 November 2021
“Take Jazz Seriously,” wrote Maurice Ravel after his American trip in 1928. This past week of the 2021 EFG London Jazz Festival has seen that advice itself being taken seriously, with a bunching of projects and premieres. Jazz musicians have been welcomed in to work with London orchestras. The fruition of months of preparatory work has been on show. Read more... |
Balsom, Daniel, Poster, Britten Sinfonia, Stroman, Milton Court review – kinds of blueFriday, 19 November 2021
Where do you draw – how do you draw? – a credible line between jazz and “classical” music in 20th-century America? With the reliably boundary-busting Britten Sinfonia, trumpeter Alison Balsom mixed and matched works from different formal lineages in her packed programme at Milton Court, “An American Rhapsody”. Read more... |
Die schöne Müllerin and The Alehouse Sessions, Middle Temple Hall review - overflowing musical energy and joyFriday, 19 November 2021
The world of the 17th-century tavern is a long way from the contemporary concert hall. A quick glance at the scene in paintings by Jan Steen or his contemporaries shows us a joyful tangle of men and women, dogs, cats and small children, all engaged in a riot of drinking, dancing, brawling, music-making and love-making (occasionally even napping) while hens stroll officiously across the floor pecking up crumbs. It looks noisy, dirty and a jolly good time. Read more... |
Pages
inside classical music
latest in today
Album: Boris - W
This is just boggling. The Japanese rock trio Boris have been together in the same lineup for over a quarter of a century – and it’s longer still...
The 4th Country, Park Theatre review – sympathetic and intri...
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and language. And nowhere is this more true that in...
Goldilocks and the Three Bears, Birmingham Hippodrome review...
There was a time when UK pantomime was heavily populated by Australian soap stars; rather late in the day Jason Donovan – formerly known as Scott...
Music Reissues Weekly: Chris Farlowe & The Thunderbirds...
TV-watching pop fans in many of the British regions were...
Nabucco, Royal Opera review - high passion but low drama
This latest revival of the Royal Opera’s...
Album: Elvis Costello and the Imposters - The Boy Named If
There is a sense in which Elvis Costello emerged as a recording artist fully grown, with that unique vocal mix of vulnerability and insolence,...
Lise Davidsen, Leif Ove Andsnes, Barbican review - perfect G...
After a too-much-too-soon debut disc, Lisa Davidsen has just rolled out the gold on CD with her great fellow Norwegian Leif Ove Andsnes in songs...
Don't Look Up, Netflix review - hitting most targets in...
Most dystopian satires are located in a nightmarish future, but...
Rules of the Game, BBC One review - feminist workplace drama...
The BBC have billed this as a “four-part...