sun 17/11/2024

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

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Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

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Paul Lewis, Wigmore Hall review - superlative Schubert

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Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

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Ólafsson, LPO, Gardner, RFH review - spirit of delight

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Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

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Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

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Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

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Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

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theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

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Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

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Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

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Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

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theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

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Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

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Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Gladiator II review - can lightning strike twice?

It has been nearly 25 years since Russell Crowe enjoyed his Oscar-winning finest hour as Maximus in...

Kenny Barron Trio, Ronnie Scott's review - a master of...

Kenny Barron, revered as the best jazz pianist around, is a perfect gentleman and a master of “cool” – a quality once described in great depth by...

Music Reissues Weekly: Magazine - Real Life, Secondhand Dayl...

“Let's walk down memory lane the Magazine way. Let's regurgitate fifth-rate Low [the David Bowie album] period pieces. Let's plonk plonk...

Bob Dylan, Royal Albert Hall review - cracked ritual from ro...

Will Bob Dylan’s Never Ending Tour ever come to an end? Two years on from the last UK tour, he’s returned, with substantially the same band, once...

The Elixir of Love, English National Opera review - a tale o...

Sparkling Italian comic opera might have been just the tonic at this time. Trouble is, the bar was set so high recently by Wexford Festival Opera’...

Maddaddam, Royal Ballet review - superb dancing in a confusi...

Valiant souls who have recently read the Margaret Atwood trilogy on which this new Wayne McGregor piece for the...

ARK: United States V by Laurie Anderson, Aviva Studios, Manc...

Picture this: framing the stage are two pearlescent clouds which, throughout the performance, gently pulsate with flickering light. Behind them on...

The Sound Voice Project, Linbury Theatre review - an art ins...

What does it mean to have a voice? And what does it mean to lose it? Those are the questions the award-winning Sound Voice Project has explored –...

Joy review - the birth pangs of in vitro fertilisation

Marie Curie excepted, movies about female scientists remain scarce, not just because STEM careers and Nobel Prizes still favour men. Now comes the...