tue 23/07/2019

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Prom 3, CBeebies: A Musical Trip to the Moon review - a celebration of the Apollo 11 landing

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Prom 1, BBCSO, Canellakis review - space-age First Night

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La Fille du Régiment, Royal Opera review - enjoyable but questionable revival

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Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebratory Schumann

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Treatise Project, Goldsmiths review - potent symbols reveal rich music potential

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Cendrillon, Glyndebourne Festival review - busy but engaging

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10 Questions for Cellist Raphael Wallfisch

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Benedetti, BBCSO, Oramo, Barbican review - Elgar challenges, Dvořák soothes

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JACK Quartet, Wigmore Hall review – superlative Elliott Carter quartets

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Soltani, LPO, Gardner, RFH review – disciplined and dynamic accounts

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Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engaging

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Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scale

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Damrau, BRSO, Jansons, Barbican review - broad and passionate Strauss

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Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halves

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LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

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Thomas Adès, Wigmore Hall review - playful and erratic Janáček

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latest in today

Il Segreto di Susanna/Iolanta, Opera Holland Park review - s...

Secrets, and the voluptuous, sensory pleasures they conceal, may unite Wolf-Ferrari’s Il segreto di Susanna and...

Prom 3, CBeebies: A Musical Trip to the Moon review - a cele...

This year’s Proms for children were entitled “Off to the Moon...

Helen Schjerfbeck, Royal Academy review - watchful absences...

Light creeps under the church door. Entering as a slice of burning white, it softens and blues into the stone interior, seeming to make the walls...

Lights, Camera, Malta!, BBC Concert Orchestra, Malta review...

With sapphire blue waters, year-round sun and architecture that spans centuries and cultures, it’s little wonder that Malta is a favourite...

CD: School Of Language - 45

Finding snapshots to characterise Donald Trump’s US...

Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Boh...

Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between...

Vic Marks: Original Spin review - trouble in Taunton

In cricket, timing is everything. Played a fraction early and that...

Reissue CDs Weekly: Peter Laughner

“As much as I love New York City, it’s all too obvious that Cleveland is about to become the musical focal point that the Big Apple has been on...

Gossip, SWG3, Glasgow - a reunion tour worth celebrating

If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front...

Making Noise Quietly review - poetic if occasionally preciou...

Robert Holman’s 1986 Bush Theatre play – seen most recently in London at the Donmar Warehouse in 2012 – makes for a beautifully acted curio of a...