wed 18/12/2024

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

Read more...

Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

Read more...

Paul Lewis, Wigmore Hall review - superlative Schubert

Read more...

Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

Read more...

Ólafsson, LPO, Gardner, RFH review - spirit of delight

Read more...

Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

Read more...

Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

Read more...

Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

Read more...

Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

Read more...

theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

Read more...

Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

Read more...

Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

Read more...

Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

Read more...

theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

Read more...

Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

Read more...

Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Wallace and Gromit: Vengeance Most Fowl review - an old foe...

It’s difficult to believe that the last stop-motion ...

Albums of the Year 2024: Kneecap - Fine Art

In many ways, 2024 has been a stellar year for New Music. There have certainly been plenty of albums released that could easily have gained “year’...

The Invention of Love, Hampstead Theatre review - beautiful...

Can men really love each other – without sex? Or, to put it another way, how many different forms of male love can you name? These questions...

Messiah, Academy of Ancient Music, Cummings, Barbican review...

When does a concert become a ceremony? You generally visit the Barbican...

Blu-ray: Three Wishes for Cinderella

Three Wishes for Cinderella (Tři oříšky pro Popelku) is one of...

Matthew Bourne's Swan Lake, New Adventures, Sadler...

How do you refresh a masterpiece? Bringing back his first and still greatest hit, Swan Lake,...

Albums of the Year 2024: Kenny Barron - Beyond This Place

Kenny Barron’s Beyond This Place is glorious. Whereas I’ve found some of the more talked...

Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The...

Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits...