sat 19/09/2020

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

BBC Proms live online: Hough, BBC Scottish SO, Chauhan review - sombre reflections on lockdown

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Moses und Aron, Komische Oper Berlin, OperaVision review – complex and powerful memorial

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Sadko, Bolshoi Opera online review - medieval Russia meets reality TV

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Remembering Krzysztof Penderecki (1933-2020)

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Skelton, Rice, BBCSO, Gardner, Barbican review – romanticism’s last stand

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Gabetta, NHK SO, Järvi, RFH review - transparency and dynamism

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Blaauw, LPO, Jurowski, RFH review - Beethoven seen in '2020 Vision'

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Buniatishvili, RPO, Wigglesworth, RFH review – dark drama and controlled power

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Cargill, BBCSO, Saraste, Barbican review - less is more in Shostakovich

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Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican review – reassessing a rarity

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Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

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Death in Venice, Royal Opera review – expansive but intimate evocations

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theartsdesk in Warsaw: musical perspectives on culture beyond communism

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Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler Third

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Williams, LPO, Alsop, RFH review - sleek lines and pastoral tones

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Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calm

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latest in today

Picnic at the Castle review - entertaining mixed bill

Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking...

Nocturnal review - an impossible love

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...

Album: Alicia Keys - Alicia

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...

Rocks review - impressively well-crafted neo-realist drama

Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...

GogolFest:Dream review - the best music festival of the summ...

GogolFest:Dream in Kherson, somewhere near the Crimea in...

Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Fes...

An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable...

The Devil All The Time review – a test of faith in a Souther...

Theres no denying the Faulknerian ambition to the construction of Anthony Camposlatest feature Devil All the Time...

Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of...

Album: Fish - Weltschmerz

"This party's over" snarls Fish on Weltschmerz, and, this time, it seems the big man really means...

Alban Gerhardt, Markus Becker, Wigmore Hall review - long sh...

It wouldn’t be true to say I’d forgotten what a solo cello in a...