thu 29/05/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works

Read more...

Prom 6: Hough, BBC Philharmonic, Mark Wigglesworth review - poetry and power

Read more...

Paul Lewis, Wigmore Hall review - superlative Schubert

Read more...

Giulio Cesare, English Touring Opera review - a return visit to Handel's Egypt

Read more...

Ólafsson, LPO, Gardner, RFH review - spirit of delight

Read more...

Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focus

Read more...

Christian Gerhaher, Gerold Huber, Wigmore Hall review - muted regret and distant longing

Read more...

Leif Ove Andsnes, Wigmore Hall review - brooding richness and fiery fervour

Read more...

Kavakos, Royal Concertgebouw Orchestra, Harding, Barbican review - elegance without poise

Read more...

theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled mess of ideas, some of them compelling

Read more...

Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

Read more...

Isabelle Faust, Alexander Melnikov, Wigmore Hall review - surprise and spontaneity

Read more...

Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

Read more...

theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

Read more...

Vondráček, LSO, Tilson Thomas, Barbican review - mixed messages

Read more...

Moore, LSO, Zhang, Barbican review – virtuosity worn lightly

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Garbage - Let All That We Imagine Be The Light

Garbage’s eighth album, Let All That We Imagine Be the Light, arrives with weighty intentions and a strong sense of purpose, but the end...

The Flying Dutchman, Opera Holland Park review - into the st...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico 3-1-2”. Which...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...