thu 25/04/2024

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Rangwanasha, OAE, Fischer, RFH review - Mahler reimagined

Read more...

Nabucco, Royal Opera review - high passion but low drama

Read more...

Macbeth, Royal Opera review - bloody, bold, and resolute

Read more...

Takács Quartet, Wigmore Hall review - intimate letters and holy songs

Read more...

Gerhaher, Faust, Wigmore Hall review - husky shadings and dark hues

Read more...

LSO, Rattle, Barbican review - a glimpse into Bruckner’s workshop

Read more...

Aimard, Mahler Chamber Orchestra, Benjamin, BBC Proms review - a revealing composer portrait

Read more...

LSO, Rattle, BBC Proms review - dazzling Stravinsky showcase

Read more...

Carducci Quartet, Wigmore Hall review - complexity and depth

Read more...

Dunedin Consort, Butt, Wigmore Hall review – bijou Bach

Read more...

Tenebrae, Short, Wigmore Hall online review - reflections for Holy Week

Read more...

Der Freischütz, Bavarian State Opera online review – marksmen as marketeers

Read more...

Doric Quartet, Wigmore Hall review – sombre reflections

Read more...

Elias Quartet, Wigmore Hall review – sinewy, muscular Beethoven

Read more...

BBC Proms live online: Hough, BBC Scottish SO, Chauhan review - sombre reflections on lockdown

Read more...

Moses und Aron, Komische Oper Berlin, OperaVision review – complex and powerful memorial

Read more...

Pages

latest in today

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...