fri 26/04/2024

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Ax, Kavakos, Ma, Barbican review - all-star Brahms

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Prom 74, Theodora, Arcangelo, Cohen review - coherent and compelling Handel

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Prom 21, BBC Scottish SO, Volkov review - horncalls and mountainscapes

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Prom 19, Ten Pieces review – creative format engages young audiences

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Prom 17, Murray, BBC NOW, Brabbyns review – pastoral vistas, with dark shadows

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Prom 1, BBCSO, Oramo review – spectacular First Night of the Proms

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Benedetti, LSO, Noseda, Barbican review – power and focus

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Bach Weekend, Barbican review - vivid and vibrant celebrations

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BBC Young Musician 2018 Final, Symphony Hall, Birmingham review - sky-high standards

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Pierre-Laurent Aimard, QEH review – taking Ligeti to extremes

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Ibragimova, Tiberghien, Wigmore Hall review – light, bright and melodic Brahms

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Philharmonia, Salonen, RFH review – cosmic perspectives

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Igor Levit, Wigmore Hall review – music for the ages

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Ruthless Jabiru, King's College London / Arditti Quartet, Wigmore Hall review - delicate, dedicated modernism

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Brantelid, LPO, Petrenko, RFH review - orchestral excesses redeemed by graceful Elgar

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Theatre of Voices, Kings Place review - fluidity and dynamism in Stockhausen

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latest in today

I.S.S. review - sci-fi with a sting in the tail

Earthrise, the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our vision of our...

Album: St Vincent - All Born Screaming

The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the multi...

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...