thu 20/01/2022

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engaging

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Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scale

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Damrau, BRSO, Jansons, Barbican review - broad and passionate Strauss

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Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halves

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LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

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Thomas Adès, Wigmore Hall review - playful and erratic Janáček

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The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous Berio

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Mitsuko Uchida, Royal Festival Hall review - conviction and grace

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theartsdesk in Warsaw - Penderecki at 85

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The English Concert, Bicket, Wigmore Hall review – small-scale Bach

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Lawson, London Sinfonietta, Kings Place Review – diverse explorations of time

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Radamisto, English Touring Opera review - propulsive, lively Handel

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Das Rheingold, Royal Opera review - high drama and dark comedy

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Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting, brutal Schubert

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Parsifal, Saffron Opera Group review - drama and focus

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Ax, Kavakos, Ma, Barbican review - all-star Brahms

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latest in today

First Person: Femi Elufowoju Jr. on directing Verdi's...

I find that my experience of living as a Black man in the UK cannot help but inform the way I approach my work and never more so than with...

Russell Howard, Netflix special review - joyous return to li...

In 2019, Russell Howard was all set to celebrate his 20th year in...

Album: John Mellencamp - Strictly A One-Eyed Jack

“I didn’t even know what I was writing about. It was just sent to me”, John Mellencamp has said of Strictly A One-Eyed Jack, his first...

Thrill Me: The Leopold & Loeb Story, Jermyn Street Theat...

There's a lot of True Crime stuff about, so it's hardly a surprise to see Stephen Dolginoff's 2003 off-Broadway musical back on the London stage,...

Album: Lady London - Lady Like: The Boss Tape

Virtual “mixtapes” are not proper albums. Their purpose is often to whet the appetite. Nowhere is this more so than in US...

Sandrine Piau, David Kadouch, Wigmore Hall review - the joy...

“It mustn’t be a surface thing. You have to put in the work,” Janet Baker once said. Sandrine Piau’s...

Munich: The Edge of War review - Jeremy Irons excels in a re...

The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s...

Blu-ray: Ingmar Bergman Vol 2

In my teens, I was one of the budding cinephiles who ran the Film Club at my boarding school. Once a month, we’d rent an arthouse movie. The films...

Liebeck, Bournemouth SO, Hasan, Lighthouse, Poole review - e...

Having conducted two Discovery programmes with the LSO after being a finalist in the 2016 Donatella Flick competition, London-born...

Goldilocks and the Three Bears, Birmingham Hippodrome review...

There was a time when UK pantomime was heavily populated...