thu 07/07/2022

Classical Features

First Person: violinist Abigail Young on getting back to her Japanese orchestra in Covid year

Abigail Young

February 2020: an item a long way down the agenda of the nightly news caused me to remark, fairly casually, “I wonder if that will affect me”. I had already heard about Covid-19, the new virus emerging from China; now it was spreading into places where I earned my living. I was beginning to worry.

Read more...

‘The Healing Power of Music’: composer Nigel Hess on great-aunt Myra’s wartime concerts

Nigel Hess

It has been well-documented over the last few months that there has been an upsurge in listener numbers for many radio stations offering classical music – notably BBC Radio 3, Classic FM and Scala Radio – and, during these unprecedented times it comes as no surprise to discover that so many people (of all ages) are finding...

Read more...

Classical musicians on life after Brexit - 3: violinist Sara Deborah Struntz-Timossi

Sara Deborah St

Sara Deborah Struntz-Timossi is an international award-winning violinist who has toured with early music ensembles like the European Union Baroque Orchestra, Dunedin Consort and The English Concert, as well as performing across Europe as a soloist and chamber musician.

Read more...

Classical musicians on life after Brexit - 2: violinist Victoria Sayles

Victoria Sayles

In March 2020, all my work in Australia and Sweden, where I had won contracts for several months to come, was cancelled on the day I was due to fly. Both organisations who had engaged me promptly honoured their contracts with me financially nevertheless.

Read more...

'The total confusion about post-Brexit rules adds to the distress': classical musicians speak out

Sophia Rahman

“Fuck business,” Boris Johnson is alleged to have said while Foreign Secretary. (He didn’t deny it). We have seen enough over the past three weeks of the impact of Brexit on fishermen, hauliers, wine merchants and a host of business people to know that he wasn’t joking.

What of the impact on musicians?

Read more...

'Having to establish a real conversation with the audience is a good challenge': Raffaello Morales on a possible musical future

Raffaello Morales

As this most remarkable year prepares to enter the history books, most of us who are part of the music industry have come to realise that the western world is desperately looking for solutions to an emergency of unprecedented dimensions in post-war times, and that music is not widely perceived to provide a

Read more...

Dame Fanny Waterman (1920-2020) - some recollections, with love and affection

Adam Gatehouse

Dame Fanny Waterman was a true force of nature, in the best sense of the word. Her diminutive height belied a giant intellectual force and a steely determination to achieve the seemingly unachievable through every means she could muster.

Read more...

First Person: conductor Johannes Vogel on Beethoven’s Ninth as re-orchestrated by Mahler

Johannes Vogel

Think of the finale at a big fireworks show: the anticipation; the build up. There is nothing bigger than the Ninth Symphony. It is the climax of this year’s Beethoven celebrations.

Read more...

Not-quite-solitude on the 34th floor: violinist Maxine Kwok on the short film 'Rising'

Maxine Kwok

2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to the decimation of performance opportunities.

Read more...

First Person: Avi Avital on 'Art of the Mandolin'

Avi Avital

The mandolin is an instrument everybody has heard of without necessarily knowing much about it. Its history has been written by lovers of the instrument, often amateur players who are drawn to its approachable and appealing character, integrating it into their own lives, and in turn popularising it throughout the world.

Read more...

Pages

latest in today

Love Supreme Festival, Sunday review - eclectic jazz on the...

By day three of any festival things are usually winding down. But there was a sense that...

Album: Vyvyan - Y

After four years, three releases and a slew of remixes, the identity of spotlight-shunning producer Vyvyan ended up the subject of intense...

theartsdesk at the East Neuk Festival 2022 - on Cloud Nine f...

Last year’s relatively slimline East Neuk Festival felt like a feast in time of plague. This July everything was back to full strength in numerous...

Jessie Burton: The House of Fortune review - a muted, sensit...

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a...

Album: Viagra Boys - Cave World

The third album from Stockholm rowdies Viagra Boys doesn’t muck about with what they do, but it’s more persistently punkin’ than their last. There...

Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...

At the beginning of this film, Mick Jagger says: “What most...

Alcina, Glyndebourne review - Handel on the strand

Reviewing the Grange Festival production of Tamerlano the other day, I noted the difficulty...

Favour, Bush Theatre review - Ambreen Razia's punchy ne...

Where should Leila live — Ilford or Kent? It doesn’t sound like an earth-shattering decision for a 15-year-old to make, but the stakes...

Album: Laura Veirs - Found Light

The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too...

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....