Comedy Reviews
Tommy Tiernan, Soho TheatreMonday, 15 June 2015
Tommy Tiernan tells us not to take him seriously at the start of his latest show, Out of the Whirlwind. “I’m like a cow mooing for the sake of mooing,” he says – which neatly explains the surreal riffs in a mesmerising 80 minutes, but also lets him off the hook for some of his edgier material. He has often courted controversy in his native Ireland, and there is the occasional line tonight that draws a shocked response from the audience. Read more... |
Nina Conti, Theatre Royal, BrightonWednesday, 20 May 2015
“Two-and-a-half hours? That’s one hell of a long puppet show,” said a friend. We had, however, read the Brighton Festival programme wrong. The pre-interval section of last night’s show was a screening of the BBC documentary Nina Conti – A Ventriloquist’s Story: Her Master’s Voice, which was on television a couple of years back and nominated for a BAFTA. Read more... |
Alex Horne: Monsieur Butterfly, Soho TheatreFriday, 08 May 2015
There are many forms of comedy – stand-up, sketch and improv among them – and now Alex Horne has introduced a new genre as he constructs his set during the hour he spends on stage. It's a kind of Heath Robinson or Rube Goldberg device (that is, a machine that performs a simple task in an unnecessarily complicated way), and the anticipation builds as we see it coming together, and finally learn its purpose. Read more... |
Panti: High Heels in Low Places, Soho TheatreFriday, 24 April 2015
Panti Bliss is not a name on many people's lips outside Ireland, but over the past year she has gone from little-known club performer to self-described “accidental activist”, and this utterly charming, funny and touching show tells her story. Read more... |
James Freedman: Man of Steal, Menier Chocolate FactoryWednesday, 15 April 2015
Normally comedy critics tell people not to sit in the front row, lest they're picked on by a particularly boorish comic. No such problem for audiences at James Freedman's interesting and unusual show about the art of pickpocketing and more modern crimes; nobody is safe from being volunteered and, in the evening's memorable finale, the subject wasn't actually in the audience when one of Freedman's tricks made him the star of the show. Read more... |
The Pub Landlord, TouringMonday, 23 March 2015
Al Murray is celebrating 20 years as his brilliant invention the Pub Landlord, an autodidact, xenophobic sexist with misogynistic undertones. Who better then, you may think, to run for a certain political party in the forthcoming election? You'd be wrong, because the Pub Landlord has founded the FUKP (the Free United Kingdom Party) and he, its sole candidate, is standing for the Thanet South constituency, where Nigel Farage of Ukip just happens to be running. Read more... |
Nina Conti Clowning Around, BBC FourMonday, 16 March 2015
Ventriloquist Nina Conti, along with her wisecracking sidekick Monkey, has emerged as one of the sharper comedy acts of the past few years but Nina Conti Clowning Around was an uneasy, far from comic film. Read more... |
The 2,000 Year Old Man, JW3Monday, 16 March 2015
Well, here’s an interesting endeavour. The 2,000 Year Old Man was a series of improvised sketches performed in the 1960s by Mel Brooks and Carl Reiner. Brooks played the old guy, talking about all the great names in history – Jesus, Joan of Arc, Napoleon and many more – he has known in his long and eventful life. Reiner was the straight man, lobbing the questions that Brooks would then riff on. Read more... |
Dracula! (Mr Swallow - the Musical), Soho TheatreThursday, 19 February 2015
Nick Mohammed's show has had a slight change of title since it debuted at the Edinburgh Fringe last year, where it was called Mr Swallow - the Musical, and garnered warm reviews for its shambolic silliness. Read more... |
Kim Noble, Soho TheatreSaturday, 07 February 2015
The Soho Theatre's lawyer was in the night I saw Kim Noble's new show, and that's no surprise as it pushes a few boundaries – public decency and legality being just two. In many ways it's typical of Noble's output as it plays with the audience's perception of real and imagined events, blurs ethical lines and dares us to be offended. Read more... |
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