fri 26/04/2024

Comedy Reviews

Aisling Bea, Soho Theatre

Veronica Lee

Young Irish actress and comic Aisling Bea made a tremendous debut with C'est la Bea at last year's Edinburgh Fringe, where she was deservedly nominated for best newcomer in the Foster's Edinburgh Comedy Awards. Now she is performing a short run at the Soho Theatre and, on second view, it's still a joyously funny show.

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Tommy Tiernan, Soho Theatre

Veronica Lee

In Irish mythology, a stray sod is an enchanted piece of grass that, if stepped on, leaves a person feeling disorientated and lost, even in familiar surroundings. Although there's no reference to this in Tommy Tiernan's new show, Stray Sod, there's plenty of self-knowing stage Irishness – even, briefly, Oirishness – as he delivers a riveting 80 minutes of comedy that's a sort of state-of-the-nation address about his home country.

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John Kearns, Soho Theatre

Veronica Lee

John Kearns introduces himself as himself as he comes on stage then, very carefully - tenderly almost - he lays out a blonde wig, a pair of women's high-heeled shoes and a skimpy dress on the floor. They stay there until the final segment of his show, untouched and without mention. He puts on a ridiculous oversize tonsure wig and a pair of joke-shop false teeth.

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Jane Bussmann: Bono and Geldof Are C*nts

Veronica Lee

Jane Bussmann may not be an immediately familiar name to some, but you will know her work. The writer, who was once a celebrity journalist, has been part of the writing teams for South Park, Smack the Pony and Brass Eye, among other quality television comedies, and wrote a hilarious memoir, The Worst Date Ever, about how a reckless whim took her to war-torn Uganda, where she helped unveil the appalling crimes of rebel leader Joseph Kony.

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Frank Skinner: Man in a Suit

Veronica Lee

Six years away from live comedy (save for a couple of outings as MC for mixed-bill shows) haven't blunted Frank Skinner's stand-up skills. He's still an accomplished gag writer and performer, and his quick-witted comic's brain is, as ever, much in evidence in Man in a Suit at Soho Theatre in London.

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Eat Pray Laugh!: Barry Humphries' Farewell Tour, London Palladium

David Nice

Now here’s a funny thing, possums. Back in 1990 when one great Australian Dame, Joan Sutherland, gave her farewell performance, another, a certain housewife superstar from the Melbourne suburb of Moonee Ponds, seemed closer to  retirement age.

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Stewart Lee, Much A-Stew About Nothing

Veronica Lee

We shouldn't expect a perfectly formed show with a narrative arc and a final gag that is a series of clever callbacks and which neatly encapsulates all that has gone before, Stewart Lee tells us at the beginning of this show. Much A-Stew About Nothing is a sort of work in progress, as the comic tries out material for the BBC television series that he starts recording at Christmas and which will be on our screens in the spring.

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Bo Burnham, Touring

Veronica Lee

Massachusetts-born Bo Burnham first performed in the UK at the 2010 Edinburgh Fringe. The then teenage prodigy, who had come to fame as a YouTube sensation, took the festival by storm and was given the Edinburgh Comedy Awards' panel prize. He hasn't performed here again until this year's Fringe, when his second stage show, What, sold out in a matter of minutes and was again garlanded with rave reviews.

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Sarah Millican, Hammersmith Apollo

Jasper Rees

Sarah Millican’s career blossomed on the back of a divorce. Her husband upped sticks after seven years of marriage when she was 29. The rage and sorrow catapulted an innately funny office worker into a second career. For her new show, entitled Home Bird, the story has moved on and her subject is buying a home and installing her boyfriend. Only he’s not happy with the arrangements in the garden. The shed, he complains, is not suitable for self-abuse.

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Bridget Christie, Soho Theatre

Veronica Lee

Most years at the Fringe, there's considerable division over the winner of the Edinburgh Comedy Award, but not in 2013 when Bridget Christie won for A Bic For Her, a show that expertly fillets everyday sexism and misogyny. Even those who remarked that they never knew feminism could be funny - idiots all, of course - acknowledged the show is an hour of superbly crafted comedy.

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